media theory

Everyone loves food.  We love talking about food reading about food eating food and maybe even cooking food.  And no wonder:  we are a nation of food lovers as demonstrated by our interest in cooking shows cookbooks websites food blogs and magazines.  We call ourselves “foodies,â€� or food enthusiasts and desire to learn about culinary traditions from far and near.  Our arouse isn’t limited to the practical requirements of nutrition either.  We love our “foodatainment,â€� as Joanne Finkelstein explains the marriage of information and entertainment in contemporary cooking programs (de Solier 468).  The new media revolution has served the industry well as it has led to the creation of a multimedia food experience.  Now we can have our cover and eat it—and construe about it on a website talk about it on a podcast see it made on television blog it on our weblog the list goes on.  The act of cooking itself has change state a commodity not just the product it creates.  In fact the product itself—the food object—is largely forgotten replaced by the spectacle of the act.  This leads to my main point:  the effects of new media upon cookery texts undergo enabled these texts to demonstrate their multimodal features:  features which I will argue are inherent in the text not produced as a result of the influx of new media.  The act of reading a recipe—whether it is a print recipe hypertext or television show—requires a specific kind of literacy a literacy which up until now has lacked vocabulary to explain.  Gunther Kress in his bring home the bacon calls for a new kind of literacy to be able to understand texts produced through electronic means.  This literacy which Kress and other scholars name as multimodal literacy can be an effective way to explain how we construe and understand recipes.  While recipes clearly are not part of “new media,â€� their particular cerebrate on rhetorical elements and on the physical act of cooking make them suitable to study in the same make as new media texts. In our culture food is now a multimedia experience encompassing all media and all modes of communication.  However this is not a recent development.  My argument is grounded in the belief that any cookery text—from websites and blogs to handwritten recipes and cookbooks—is inherently multimodal.  While the medium of transmission may have changed over the years recipes (whether online print or manuscript) change a variety of modes to communicate their communicate.  Any hit recipe uses both writing and visuals to tell its story.  Even in a recipe without a conceive of the printed or handwritten coordinate of the language is a rhetorical act constructing both the written and visual modes into an “imagetext,â€� or blending of modes.  Through my argument. I intend to not only broaden the definition of multimodality by including cookbooks but I also intend to make a inspect for the value of cookbooks to be studied. Rachael Ray. Jacques Pepin and countless other chefs and programs have transformed the business of cooking into a multimedia undergo.  While the cooking culture’s origins are rooted in oral tradition much has changed in the past decades to remediate cooking into a wide variety of new media.  What was once a handwritten recipe on an list card has now become a fully interactive website complete with images video blogs podcasting chat and asynchronous discussions.  What was once an oral narrative is now an entertaining performance in front of a live studio audience complete with affiliate book and DVD.  While this remediation has been significant these changes have not altered the ways to read them.  Even though recipes may look different today they are and undergo always been multimodal.  I ground my bring home the bacon in that of Gunther Kress and the New London Group to explore multimodal literacy as it applies to cookbooks.  In conjunction with new media theory. I also consider reader-response theory and feminist reader theory to investigate the role of the reader in the reader/text relationship.  Finally. I lay out that analyzing the material is vital to considerations of multimodality and explore the performative as an integral element to any cookery text.  Through this study I plan to argue for the cookery text as rhetorical and valuable for further scholarship. As I undergo grounded my study in reader-response and feminist reader theory. I want to design and implement a control study of how we construe cookery texts.  I believe in request to argue my inform on the multimodal literacy of cookbooks a reception study is logical and necessary.  In fact both cookbook studies and new media studies be empirical scholarship.  No chew over thus far has explored the ways in which we read cookbooks and there has been little empirical work (though much theorizing) on how one reads a new media text.  My chew over will change rhetorical and historical methods as I use them to supplement and fasten my empirical study.  The goal of this study is not to focus on the empirical aspect but to use the pilot or case study to further illustrate and prove my hypotheses.  My proposed create by mental act will consider a sample size of about 15-20 individuals ideally people who (upon self-assessment) undergo average to above average cooking skills.  After completion of an sign questionnaire which asks for their past undergo and interest in cooking. I intend to interview them about their cooking and recipe reading habits.  One component of the empirical study will be to ask the subject to write a given recipe and explain why they chose the affect they did.  This remediation may come about for two different media such as a print recipe and a television cooking show.  This data will then furnish me much to bring home the bacon with to further explore the ways in which we read and act with recipe texts. The fasten does such a good job of evoking the excitement we have about food that nutrition in food and even the necessity of eating are thoroughly overshadowed and you provide absolutely no indication that our food excitement has anything to do with nutritional concerns. So the idea that we are concerned with nutrition feels “dropped-in.” Furthermore considering the staggering obesity evaluate in the US a fair argument could be made that we aren’t that interested in nutrition at all and that if we are it is only because our nutrition has been neglected to the point of becoming an abominable crisis. That said. I definitely evaluate the project as a whole and your representation of it here are of high quality. I like you research questions a lot but I was a bit surprised that you aren’t asking some questions about recipes recipe books and recipe web sites as places/spaces. As I am well aware of your expertise in rhetorical space. I really expected you would be looking at those thing and I’m a bit disappointed that you aren’t. Is there already too much investigate happening there and you don’t be your study be redundant or. ? I would encourage you to marshal and bear on all of your expertise to this chew over because it has much to offer to feminism and rhetoric. Something else you might consider is finding away to connect your communicate to the composition classroom. There is nothing do by at all with historical and empirical studies but a connection to the classroom will help you sell yourself to schools that looking for a Composition expert. One measure concern is that I’m not sure doing an empirical chew over is really worth it because 1 your ideas are great and your communicate doesn’t really be it to fly. 2 it won’t be anything and 3 you don’t undergo to or need to prove anything–your ideas will open eyes and that is really what it’s all about. I think doing empirical study could be a good method as you make it clear that you decide an area that no or few people have explored. But it will be a lot of work especially when you analyze the cooks’ writing.

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http://dissland07.wordpress.com/2007/11/08/abstract-for-726-project/

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Everyone loves food.  We love talking about food reading about food eating food and maybe even cooking food.  And no wonder:  we are a nation of food lovers as demonstrated by our interest in cooking shows cookbooks websites food blogs and magazines.  We call ourselves “foodies,â€� or food enthusiasts and like to hit the books about culinary traditions from far and come.  Our arouse isn’t limited to the practical requirements of nutrition either.  We love our “foodatainment,â€� as Joanne Finkelstein explains the marriage of information and entertainment in contemporary cooking programs (de Solier 468).  The new media revolution has served the industry well as it has led to the creation of a multimedia food undergo.  Now we can have our cover and eat it—and construe about it on a website talk about it on a broadcast see it made on television communicate it on our weblog the enumerate goes on.  The act of cooking itself has become a commodity not just the product it creates.  In fact the product itself—the food object—is largely forgotten replaced by the spectacle of the act.  This leads to my main point:  the effects of new media upon cookery texts have enabled these texts to show their multimodal features:  features which I ordain argue are inherent in the text not produced as a prove of the influx of new media.  The act of reading a recipe—whether it is a print recipe hypertext or television show—requires a specific kind of literacy a literacy which up until now has lacked vocabulary to inform.  Gunther Kress in his bring home the bacon calls for a new kind of literacy to be able to interpret texts produced through electronic means.  This literacy which Kress and other scholars name as multimodal literacy can be an effective way to inform how we read and interpret recipes.  While recipes clearly are not part of “new media,â€� their particular focus on rhetorical elements and on the physical act of cooking make them suitable to chew over in the same make as new media texts. In our culture food is now a multimedia experience encompassing all media and all modes of communication.  However this is not a recent development.  My argument is grounded in the belief that any cookery text—from websites and blogs to handwritten recipes and cookbooks—is inherently multimodal.  While the medium of transmission may have changed over the years recipes (whether online create or manuscript) utilize a variety of modes to communicate their message.  Any single recipe uses both writing and visuals to tell its story.  change surface in a recipe without a picture the printed or handwritten structure of the language is a rhetorical move constructing both the written and visual modes into an “imagetext,â€� or blending of modes.  Through my argument. I plan to not only broaden the definition of multimodality by including cookbooks but I also plan to make a case for the value of cookbooks to be studied. Rachael Ray. Jacques Pepin and countless other chefs and programs undergo transformed the business of cooking into a multimedia experience.  While the cooking grow’s origins are rooted in oral tradition much has changed in the past decades to remediate cooking into a wide variety of new media.  What was once a handwritten recipe on an index separate has now become a fully interactive website complete with images video blogs podcasting chat and asynchronous discussions.  What was once an oral narrative is now an entertaining performance in lie of a live studio audience end with companion book and DVD.  While this remediation has been significant these changes have not altered the ways to read them.  change surface though recipes may be different today they are and undergo always been multimodal.  I fasten my bring home the bacon in that of Gunther Kress and the New London Group to explore multimodal literacy as it applies to cookbooks.  In conjunction with new media theory. I also consider reader-response theory and feminist reader theory to explore the role of the reader in the reader/text relationship.  Finally. I lay out that analyzing the material is vital to considerations of multimodality and investigate the performative as an integral element to any cookery text.  Through this study I intend to argue for the cookery text as rhetorical and valuable for further scholarship. As I have grounded my chew over in reader-response and feminist reader theory. I want to design and implement a pilot chew over of how we construe cookery texts.  I believe in order to lay out my inform on the multimodal literacy of cookbooks a reception chew over is logical and necessary.  In fact both cookbook studies and new media studies be empirical scholarship.  No study thus far has explored the ways in which we read cookbooks and there has been little empirical bring home the bacon (though much theorizing) on how one reads a new media text.  My study will utilize rhetorical and historical methods as I use them to supplement and ground my empirical study.  The goal of this chew over is not to focus on the empirical aspect but to use the control or case chew over to further dilate and be my hypotheses.  My proposed design will include a sample size of about 15-20 individuals ideally people who (upon self-assessment) have average to above add up cooking skills.  After completion of an initial questionnaire which asks for their past experience and interest in cooking. I intend to interview them about their cooking and recipe reading habits.  One component of the empirical study ordain be to ask the subject to write a given recipe and explain why they chose the process they did.  This remediation may come about for two different media such as a create recipe and a television cooking show.  This data will then give me much to work with to further investigate the ways in which we read and interact with recipe texts. The fasten does such a good job of evoking the excitement we have about food that nutrition in food and even the necessity of eating are thoroughly overshadowed and you give absolutely no indication that our food excitement has anything to do with nutritional concerns. So the idea that we are concerned with nutrition feels “dropped-in.” Furthermore considering the staggering obesity evaluate in the US a bring together argument could be made that we aren’t that interested in nutrition at all and that if we are it is only because our nutrition has been neglected to the point of becoming an abominable crisis. That said. I definitely think the project as a whole and your representation of it here are of high quality. I desire you research questions a lot but I was a bit surprised that you aren’t asking some questions about recipes recipe books and recipe web sites as places/spaces. As I am well aware of your expertise in rhetorical lay. I really expected you would be looking at those thing and I’m a bit disappointed that you aren’t. Is there already too much research happening there and you don’t be your chew over be redundant or. ? I would encourage you to lay and apply all of your expertise to this study because it has much to furnish to feminism and rhetoric. Something else you might consider is finding away to cerebrate your project to the composition classroom. There is nothing wrong at all with historical and empirical studies but a connection to the classroom ordain help you change yourself to schools that looking for a Composition expert. One last concern is that I’m not sure doing an empirical chew over is really worth it because 1 your ideas are great and your communicate doesn’t really be it to fly. 2 it won’t prove anything and 3 you don’t have to or be to be anything–your ideas will open eyes and that is really what it’s all about. I think doing empirical study could be a good method as you make it clear that you decide an area that no or few people undergo explored. But it ordain be a lot of work especially when you analyze the cooks’ writing.

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http://dissland07.wordpress.com/2007/11/08/abstract-for-726-project/

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I asked the students in the CMS graduate proseminar on Media Theory and Methods to work on teams and report on a contemporary media phenomenon reading it against some of the theories about media change we have been studying so far this term. A team of our incoming graduate students -- Kevin Driscoll. Xiaochang Li. Lauren Silberman and Whitney Trettien -- decided to focus their energy on examining the ways that Soulja Boy a teenage hip hop phenomenon used a mixture of social network sites and YouTube to push his way up into the top music charts. A key to his success turns out to be his active encouragement of fans to sample remix mashup and perform his "Crank Dat" song through whatever media channels they want. Our Convergence Culture Consortium is focusing this year on understanding what we call "spreadable media," arguing that the era when value was created by "stickiness" is giving way to one where media gains new value through grassroots circulation. If it doesn't spread it's dead! And the best way to insure the spread of media is to give over greater control to the audience to increase their emotional stakes in your success. As the students discovered the vast array of different people out there who were performing "Crank Dat," they wanted to get into the act. And so they got a camera borrowed some lab coats used their social network accounts to draw people together and staged their own music video which now circulates via YouTube. As it happened. I stumbled by between meetings just in time to watch them lining up to dance on the dot. I stayed for a bit trying to master the for-me very challenging dance steps. I always seemed to be zooming like superman when I was supposed to be doing the pony walk. Unfortunately the real Professor Jenkins doesn't have any of the moves that my avatar enjoys in. But. I enjoyed watching my students gamble and shake a leg. a dozen or so MIT grad students and professors gathered on a circular lawn beside Building 54 at 5:30 pm blasting "Crank That" from a small gray CD player set on repeat. Some of the group were clad in lab coats and thick glasses as they repeated (and videotaped) the dance -- a crisscrossed jump in place followed by a few shakes and stomps a breast stroke-like arm spread and four jumps to the left and right. "This will single-handedly transform the coolness factor for MIT," commented Henry Jenkins co-founder of MIT's Comparative Media Studies (CMS) program as he observed nearby. The meeting of Soulja enthusiasts was organized by students -- including Kevin Driscoll a/k/a Lone Wolf a local DJ and former computer-science teacher -- from a CMS graduate course in media theory. Driscoll's lawn-dance party was more than just a way to add a video to the vast library of "Crank That" tributes. He hypothesizes that "Crank That" is a unique bullet point on the dance-craze timeline symbolic of a shift in dances' virility and how they spread. "It's by the power of the dance craze that [Soulja Boy] was picked up by a major label," says Driscoll. "It demonstrates how resources like YouTube and MySpace can be these enabling technologies even for kids really." The MIT Soulja Boy videos are now on YouTube (and up to about 400 views each at press time) making them perpetuators of the very trend the participants are studying. At least it's not the Macarena. Ever since. I've been talking up Soulja Boy as perhaps the most powerful success story we have so far of someone who taped the power of grassroots convergence to break into the commercial mainstream. Check out for example some of about the phenomenon during my keynote address at our recent media literacy conference organized by Home Inc. which were posted by Bill Densmore One of the students on the project --xiaochang li-- wrote up her perspectives on "Crank Dat" and what she calls "Hustling 2.0" for the blog and I wanted to pass this along to my readers. Next time. I will share her thoughts about how Soulja Boy's most recent music video might be seen as a textbook illustration for how convergence culture works. Fast forward to October: Soulja Boy is Britney Spears and Kanye West on the Billboard Top 100 and you can now watch a rag-tag team of MIT grad students researchers affiliates and founder of the GNU project and the Free Software Movement crank that. (CMS program director Henry Jenkins even joined in the learn the dance but sadly had to run off to something undoubtedly important before the video was shot.) A little bit of context for those who have somehow managed to miss this craze: Soulja Boy produced his own tracks and uploaded videos of himself performing the dance onto MySpace and YouTube. People everywhere started doing their own versions and putting up their own videos and the whole thing snowballed until people like Beyonce started incorporating the dance into her stage show. By that point everyone from underground rap magazines to The Atlantic was talking about Soulja Boy. Beyond the novelty of seeing everyone from Winnie the Pooh to a bunch of vaguely coordinated MIT students doing the "Crank That" dance the rise of Soulja boy is an interesting exploration of self-promotion in the digital landscape. Many groups have taken to social networks and video sharing as a means to self-promote but as anyone who has ignored dozens of friends requests from bands on myspace com knows the effectiveness of all these efforts is inconsistent at best. Part of the problem is that there isn't a significant shift in the way in which thecontent is presented. Bands produce the same types of videos and promotional materials except now they're accessible through YouTube instead of MTV. There's little consideration of the unique expectations and practices within these spaces. In that way. Soulja Boy who has described computer access as the turning point in thedevelopment of his career was far better equipped to handle his own online promotionthan any major label executive. In a move that was described on he takes the sign of major label recognition more like an award instead of an opportunity payment for a job already well-done. On that note it's interesting how the spelling varies between "Crank Dat" on many of the fan produced videos and some of the marketing on and "Crank That" on the official record like a linguistic marker to differentiate the D-I-Y phenomenon from the standardization of the song and its incorporation into the established entertainment industry. I would have to agree with the "all cranked out" statement. For some reason the south seems to have this monkey see monkey do approach to their music. Superman. Spiderman. Aquaman... Maaaan I am supa hero-ed out! Where is the originality? I'm in no way dragging the south in the dirt as I hear a lot of others do. As a matter of fact all props go out to Soulja Boy for proving that their is money in the power of youth and opening the door for a group that's well deserved and long over due. I have been seeing Street Runnaz Click snapping and popping on stage since they were 15 years old and there's not a question in my mind that after seeing the moves Soulja Boy is doing now he had to be a student of Street Runnaz Click. These kids have been opening up for major acts all over the south to the mid-west doing the same dances Soulja Boy is doing today. I saw them for the first time over 4 years ago when all this crank dancing as it's called today was no where in site. Truth be told. I think they owe a lot to Soulja Boy for re-opening the doors to the money. While Soulja Boy boasts on youtube and myspace videos about his $600,000 deal with Collipark Music who I heard was also considering signing Street Runnaz Click at one point. Word on the wire is that Street Runnaz Click just inked a deal with Ruthless/Sony worth twice as much as Soulja Boy did with Collipark Music. Once again thanks Soulja Boy for allowing a higher standard of Southern act to be recognized. That’s the way it should be. In the words of D. J. Drama… “Pay Attention!”

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http://www.henryjenkins.org/2007/10/hustling_20_soulja_boy_and_the.html

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When I first started reading this bind. I thought it was basically talk about how technology is taking over the word. Technology such as cell phones camera’s digital DVD players etc. “A screen grabs is a quick and dirty way to capture an image on the monitor in request to save or create it. In many desktop computer systems the check grab is accomplished with a simple combination of keystrokes.”(Lunenfeld XV). In that quote I thought it captured the whole bind since it is talking about digital world. Computers now actually have touch screens. While reading the bind I thought it was hard to grasp what Lunenfeld was explaining but when reading the top quote it just summarized he whole article.

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When I first started reading this bind. I thought it was basically communicate about how technology is taking over the word. Technology such as cell phones camera’s digital DVD players etc. “A screen grabs is a quick and dirty way to capture an image on the monitor in order to save or print it. In many desktop computer systems the screen grab is accomplished with a simple combination of keystrokes.”(Lunenfeld XV). In that ingeminate I thought it captured the whole article since it is talking about digital world. Computers now actually have touch screens. While reading the article I thought it was hard to grasp what Lunenfeld was explaining but when reading the top ingeminate it just summarized he whole bind.

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When I first started reading this article. I thought it was basically talk about how technology is taking over the evince. Technology such as cell phones camera’s digital DVD players etc. “A check grabs is a quick and alter way to capture an image on the monitor in order to deliver or print it. In many desktop computer systems the screen grab is accomplished with a simple combination of keystrokes.”(Lunenfeld XV). In that quote I thought it captured the whole article since it is talking about digital world. Computers now actually undergo touch screens. While reading the article I thought it was hard to grasp what Lunenfeld was explaining but when reading the top quote it just summarized he whole article.

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When I first started reading this article. I thought it was basically talk about how technology is taking over the evince. Technology such as cell phones camera’s digital DVD players etc. “A screen grabs is a quick and dirty way to capture an image on the observe in order to save or print it. In many desktop computer systems the screen clutch is accomplished with a simple combination of keystrokes.”(Lunenfeld XV). In that quote I thought it captured the whole article since it is talking about digital world. Computers now actually have touch screens. While reading the bind I thought it was hard to hold what Lunenfeld was explaining but when reading the top quote it just summarized he whole bind.

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http://uaa3.blogspot.com/2007/11/screen-grabs-digital-dialectic-and-new.html

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When I first started reading this article. I thought it was basically talk about how technology is taking over the evince. Technology such as cell phones camera’s digital DVD players etc. “A screen grabs is a quick and dirty way to capture an image on the observe in order to save or print it. In many desktop computer systems the screen grab is accomplished with a simple combination of keystrokes.”(Lunenfeld XV). In that ingeminate I thought it captured the whole article since it is talking about digital world. Computers now actually undergo touch screens. While reading the bind I thought it was hard to grasp what Lunenfeld was explaining but when reading the top quote it just summarized he whole article.

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Considering how many hyperventilating media leftists broke their promises to get the country if George W. furnish won reelection in 2004. I'm not exactly holding out wish we'll see the IRS arrest former New York Times bigwig Chris Hedges (file photo at right) anytime soon. Hedges if you recall was the cover's former Middle Eastern bureau chief who became more famous (infamous rather) for his lengthy anti-war diatribe to graduates of Rockford College. The devoutly left-wing Hedges has hardly stopped proclaming his bona fides since that time change surface writing a book comparing American religious conservatives. Today our hero is work concerning himself with the conspiracy theory that the United States will soon invade Iran. If that proves to be the case the unbiased former Timesman his income taxes in that same year: I will not pay my income tax if we go to war with Iran. I realize this is a desperate and perhaps futile gesture. But an contend on Iran--which appears increasingly likely before the coming presidential election--will let go a regional contrast of catastrophic proportions. This war and especially Iranian retaliatory strikes on American targets ordain be used to silence domestic dissent and abolish what is left of our civil liberties. It will change integrity the slow-motion coup d'état that has been under way since the 9/11 attacks. It could mean the death of the Republic. Let us wish sanity prevails. But sanity is a rare commodity in a color accommodate that has twisted Trotsky's concept of permanent revolution into a policy of permanent war with nefarious aims--to intimidate and destroy all those classified as foreign opponents to create permanent instability and fear and to take citizens of their constitutional rights. A war with Iran is doomed. It ordain be no more successful than the Israeli airstrikes on Lebanon in 2006 which failed to break Hezbollah and united most Lebanese behind that militant group. The Israeli bombing did not pacify 4 million Lebanese. What will come about when we begin to hit a country of 65 million people whose land mass is three times the coat of France? [...] A country that exists in a state of permanent war cannot exist as a democracy. Our desire row of candles is being snuffed out. We may soon be in darkness. Any resistance however symbolic is essential. There are ways to elude without being jailed. If you owe money on your federal tax go refuse to pay some or all of it should Bush attack Iran. If you undergo a telephone do not pay the 3 percent cancel tax. If you do not owe federal taxes decrease what is withheld by claiming at least one additional allowance on your W-4 form--and write to the IRS to inform the reasons for your complain. Many of the details and their legal ramifications are available on the War Resisters unify's website. I will put the taxes I owe in an escrow be. I will go to court to challenge the legality of the war. Maybe a courageous judge will rule that the Constitution has been usurped and the government is guilty of what the postwar Nuremberg tribunal defined as a criminal war of aggression. Maybe not. I do not know. But I do know this: I undergo friends in Tehran. Gaza. Beirut. Baghdad. Jerusalem and Cairo. They will endure far greater suffering and deprivation. I be to be able once the slaughter is over to at least earn the alter to ask for their forgiveness. talk to all of those guys over the years that undergo tried this stunt and open that the irs has no conscience grieve or other forms of morality which can be played upon by the politically correct. he will wind up either in jail or in the tenticles of the tax men for the next ten to fifteen years as they analyse and reaudit his tax returns and evaluate penalties and assessments on top of penalties and assessments. I don't know why but it continues to amaze me how immature populate desire this guy got so far in life. It is a testment to the greatness of the America he so willingly wants to direct aside for not doing his bidding. Moreover. I believe he would never follow through on his blabbermouthed threat. measure time I saw Alec Baldwin he was vacationing in Southampton. N. Y.-- not Paris. France."Liberals" are disgusting. He really is trying to express us that he is after all a lefty traitor who would never back this country in any endeavor. It's tough trying to tell Democrats that their party is one of divisiveness hatred bigotry and treason. freedoms in all those places to which you are not now being afforded in the USA. Before you go can you tell me exactly which right liberty or freedom you have been denied currently in the USA?  While your at it explain how all those other places are devoid of war/violence if not for US involvement? Show him a conceive of of Capone and inform him why he went to jail.  He'll pay.  On back up thought don't and let's him get sent to the place of. "they aren't criminals they are just misguided populate" penal institutions.  check him be bureau chief from there. *There are 2 types of politicians.  Those who experience AGW is a scam and those who are stupid. This just proves that Hedges doesn’t evaluate democracy. A key ingredient of democracy is the willingness of citizens to evaluate the ordain of the voting majority. You have every right to differ but you don't undergo the right to undermine the government if they don't go your command. This is conspiracy to commit tax evasion. You can’t obey only the laws you like and ignore the ones you don’t. This is cafeteria democracy the secular version of cafeteria Catholicism. They pick the laws they desire and get rid of the rest. It really means that they don’t respect fellow citizens and don’t compassionate what everyone votes on. When push comes to shove only their opinion matters.   The American lefties that came of age in the 50's and 60's are a change taste angry bunch.  In the hubris of their youth they saw a magnificent future for their socialist ideals.  The world would be transformed into a workers paradise of equality.  Now?  Ain't gonna come about.  Doesn't need to happen.  They are an evolutionary dead-end.  So now they are lashing out desire spoiled children who break other childrens toys to 'get even'.  They have just one more come about at greatness... control of congress and a win by the one who will  'act those profits' (for your own good). He does'nt undergo the balls to do it. I bequeath everyone who threatened to leave America because of Bush not many did. & those that did don't matter.    Let us talk about the true instigators of REAL torture human rights violations and ethnic cleansing.  It will give you an opportunity to remind us how "compassionate" the left is.  Do express us just one more time how the left "cares about the little guy."  Instruct us yet again how the left "feels" Bush to be more evil than Saddam or Ahmadinejad.  inform us once again how courageous Clinton was for curtailing the ethnic cleansing in the former Yugoslavia while you argue the Iranian regime that makes Kosovo look like a monastary. You go on talking and like those you talked to death in Ethiopia the Iranian dead don't comprehend. But all of your delusional rhetoric is not about supporting your supposed friends in "Tehran. Gaza. Beirut. Baghdad. Jerusalem and Cairo."  It's about supporting your friends in the Democratic party in 2008.  So much for sanity. What we have in Iran is a situation where 6 billion people.

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Related article:
http://www.newsbusters.org/blogs/matthew-sheffield/2007/11/23/former-nyt-bureau-chief-i-wont-pay-taxes-if-u-s-battles-iran

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construe the thoughts of as he ponders about social technology. He's a Mac cult leader who works at the and has gone mad taking the PhD program at the. Also check out: // // // // // PinkFreud gave an (worth more actually) to the origins of snarkiness which you simply undergo to construe. In cliffnotes style you might understand it as a form of cynicism sarcasm and sometimes irrelevance. Despite a common attribution to negativity it’s actually a complimentary term signified by intellectualism and turn balls. I feel that it’s intended to add the wrong colors to a paint-by-numbers world just for the turn pleasure and disdain for poorly constructed ideologies. Perhaps I’m high on my honey lemon tea but can we consider snarky memes = “backdoor” propaganda? It’s a reversal a discontinuation but also a perpetuation of an idea all in one. Which brings me to this…Latest on the snarky trail is Singapore’s Media Development Authority’s so called ““. It’s disturbia bad; the kind of bad. But wait there’s more to this… I wonder who their target audience for this video is. If it’s the fellow citizens perhaps they’re missing the point in trying to change their ideas. Considering how wonderfully cultured Singapore already is with tribes of Hokkien comedians and Singlish audiences ( = English-based creole spoken and written colloquially in Singapore) our media authorities have rejected our identity but instead assimilated (poorly) a rap that’s barely lyrical in English. An alienation between the state and the people. As blogger noted. “and they are the people deciding media”. I shudder but that’s unproductive no? Perhaps I should forbid complaining and produce my own rap music video for under a $10 dollars entitled “I’m all about the KPIs” (See ). Enough from me here are the top snarky responses I’ve gathered from the video: The almighty painstakingly lists the rap lyrics for your sick pleasure and notes that “[a] car on fire is a very appropriate metaphor for this video”. Oh and he wants his tax money back. The mysterious that this is another “[r]eason #1 (yes. #1) the Singapore government’s attempts to “encourage” a media industry are doomed to fail.” She told that “it parodies itself”. Oh and she too asks about taxes. In ““. Beeker realizes the unavoidable snarkiness of the situation so he partakes by saying “all i can say is that i am VERY glad that i do not work at the MDA right about now ”. Damn it he too says this is a waste of taxpayer’s money. Moral of the storyAll this validates the affirm that we should either be very good or very bad. Don’t be an in-between… be a freakin’ spectacle. Oh and could MDA tell us how much it cost to make the video?If we don’t desire it can we get a refund in the next ““?Perhaps someone should read Seth Gordon’s. modify: Elia Diodati point out by Certified Public Accountants in Hong Kong. Hmm accountants having fun… now who belongs to the Tute? […] All we know (are you done watching yet?) and sort of the general consensus of the blogosphere is that the snarky. I-want-my-tax-money-back cringe-worthy. I-am-glad-I’m-not-in-MDA etc little clip is one that would sit firmly on the tip of the irony that is what drives business-as-usual in Singapore: The be to be transparent about what constitute an huge organization that acts in the interests of the voting and tax paying public versus the money mongering commercial world whose productivity boosts our GDP and yet wanting to blur the lines between the government and the industry to the extend of saying “we’re just desire you” or in a milder form “we know you”. […] […] Papies drink wit da cover shizzle on my nizzle.. - theory isthereason: Battle of the Snarks: On MDA’s mindnumbing rap music video - Ong Jiin Joo: Singapore MDA Rap Video - Balderdash: Oh gods. My eyes. And ears. […] These are the ones that leave a bad comprehend to our country. If our country are gonna be led by these goons and wannabe management then i evaluate its very sad. If the world sees this video what will they think? For the be of money spent it could have been channeld to help the poor and homeless. MDA who do you think you are? All of you be like fools and nerds on the video and you evaluate you did a great job? You cant rap for nuts let alone rhyme your lyrics. I guess you are as lost at this as you are at your job. Now we all experience who the fools are at MDA Oh BTW those idiots have bandwidth that can serve themselves only-the stupid video took yonkers to load on broadband-KUDOS to them for being the Media Authority who are clueless about the internet bandwidth and media streaming capability…. oh please dont say that lots of populate are watching it thats why its slow…try YouTube version and it loads well….. […] Kevin Lim for theory isthereason com says the rap is “disturbia bad; the makes-me-ashamed-to-be-Singaporean kind of bad“. […] […] Ok. I wrote all of that while I was in the throes of agony. This prevented me from remembering that I am internet queen. For redemption’s sake here is a blog entry that’s well written with all the answers and even provides quotes of other popular Singaporean bloggers. Go read it yourself. […] Was gonna send you the link but looks desire you already have it! This was supposed to be an internal video but was leaked. come up…what can I say but “get creative can do rock on!” Hey guys. Ong Jiin Joo from the Infocomm Development Authority (Singapore) has issued a friendly challenge for us to alter our own music video. In his words. “Finish cringing yet? act an “answerâ€� video on YouTube la!”. Do it and you’ll help our country in a way even though you might just be boosting MDA’s video too. […] 22. November 2007 um 18:29 Uhr von patrick Kategorie(n):Kurioses Trackback:TrackBack URL RSS-Feed:RSS-Feed für Kommentare zu diesem Beitrag Zugriffsstatistik:Dieser Beitrag wurde insgesamt 3x gelesen davon heute 3x « Freiheit istSicherheit | […] See lah it is so typical of government style. When “dumbed down” and embarrassed they challenged you. This style reminds you of some “wise” men talking down to peasants. Remember “honest mistakes”. In the first place if you are willing to do the rap video and you know it will act a storm then do not make a fool out of yourself. Since it is already done accept criticism in good faith. How to do big things when you cannot act some heat. If NTUC alleviate’s cabs suck we should set up our own taxi affiliate otherwise we have no reason to charge. Luckily populate don’t use that line on movie book and food critics… […] Thoughts on this from others: Battle of the Snarks: On MDA’s mindnumbing rap music video Singapore MDA Rap Video Who will rap MDA for their (c)rap? […] […] Thoughts on this from others: Battle of the Snarks: On MDA’s mindnumbing rap music video Singapore MDA Rap Video Who will rap MDA for their (c)rap? […] At first look when a friend showed it to me it looked like an adventurous act by MDA to appear funky.

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