live radio talk stations

That not too surprising to those familiar with Negativland’s history. For years the band has made headlines for things only tangential to their musical output: procure infringements accusations of motivating murders issues of fair use—it’s all for you to catch up on if you aren’t too familiar with the group. It also won’t surprise anyone to comprehend that given its nature this show now scheduled to act place at Sons of Hermann Hall was originally scheduled to take place at the now-defunct space. But actually the move to Sons couldn’t be better. Negativland’s performance tomorrow night is an interpretation of a live radio broadcast—something the Son’s old-time ballroom feel should actually enhance. So you’re in Texas right now?Yeah we just played last night in Houston at the Media Archaeology Festival that’s put on every year by the Aurora Picture Show and it was an amazing fringe- micro-cinema thing. Now we’re on our way to Austin. And this journey is tied into your radio show?The performance piece we’re doing it’s called “It’s All in Your continue FM.” We undergo a weekly radio show that we do called Over The Edge and every week we undergo a different theme to the show so we’ve been building upon that. We’ve been doing that radio show since ’81 and we decided for the first time ever to act it out on the road and put it on stage for populate to see what happens and see how it works. Well it seems to be working come up. If you’re trying to do creative work and keep evolving as a quote-unquote artist it’s good to be making work where you’re feeling nervous and uncomfortable about what you’re doing so you don’t get too complacent. So in the past when we’ve done live shows we’ve always had tons of visuals—props costumes puppet shows very very elaborate performances. And some people would say. “come up the visual end was great but it makes it very very hard to change state on what you’re doing with the sound.” And when we play live our appear is a pretty densely layered intricate collage. And when you undergo all those visuals going on you don’t have to worry about the audience staring at you the whole time. So now we’re doing the opposite. We’re set up as a radio station live on stage and the only visuals we have is we have a nice “On Air” sign that comes on as the show starts. Is it supposed to be akin to old-time AM radio show or even the live-recorded shows you hear on NPR nowadays?I don’t think it’s supposed to be akin to anything. It’s what we do when we do radio. And the show itself. “It’s All In Your Head FM,” it’s supposed to be a new network that’s on every week that’s solely devoted to talking about the idea of God and belief and faith and looking into why perhaps our belief in a single God is causing us a lot of problems. How’s that been going? Were there any worries there?come up. I think if we were doing it live at an outdoor festival for free and anyone could attend then we’d get a different reaction. But people who are coming to our show are folks that are interested in seeing what we’re doing. It’s kind of a affect of elimination right there. But that being said there’s always that comment or critique of work where some would say that you’re preaching to the sing. So we really trying to do a show where we assumed our audience is going to be left of center where we assumed our audience is literate and smart and follows what’s going on in the world and paying attention. So how can we put on a show for that audience that’s thought-provoking that’s challenging that leaves them at the end of the night with a lot to evaluate about. So we really tried to come up with a show that was challenging to ourselves first and foremost and we really had to talk about things that we’d never talked about in our assort. I’ve worked with these guys for almost 30 years and we’ve never sat around and really talked in-depth about our beliefs in God and the after-life and spirituality and where we sort of are on the agnostic to religious to atheist choose of scale of things. And of cover we don’t all agree so we tried to come up with a show that reflected that as come up. Does that mean that there’s a discussion element to the performance then?Well we’ve used cut-up voices in our shows and records since the beginning so we have mic breaks we have characters we switch from the air that we’re doing on re-create to a live air that’s coming from the local zoo. We try to really make it as much desire a radio show as we can but again its Negativland’s version. It’s kind of like a screwed up collaged layered messed up appropriated version of A Prairie Home Companion. But also what we’re doing the show itself is created for what we’re doing on stage and traditionally all the years we’ve been doing live shows we’ve performed very little work from our CDs. We kind of approach each medium as its own thing. When you’re working on a CD or in a studio there’s a lot things you can do that you can’t do live. And conversely when we play live we want it to be really live. We’re not using laptops; we don’t have everything pre-programmed in the computer. We’re really cutting out and layering and collaging all this stuff alter in lie of you. So a lot of mistakes come about a lot of improvisation happens. The show in fact is fairly different every night because of that. Well that’s kind of the one thing that gets me down about live experimental music performances when you have someone sitting there with a laptop it’s not very visually stimulating…No. I think it’s absolutely utterly uninteresting actually and I don’t get why populate do it. If you’re creating something on a laptop as an audio piece that’s great but if you’re gonna be in front of populate for performance you’ve got to be thinking about it in that medium and that context. And it does be like you guys really are emphasizing the performance. It sounds almost more like a theatrical production than just a standard concert. come up it is set up just as a radio show where there is nothing to watch but what you’re getting to watch is us do the radio show. And we hope that it’s interesting to watch. That’s our hope. So a lot of discussion then?Yeah. You experience after the show people are coming up to us and no one’s asking us about the U2 lawsuit or about copyright law. Everyone wants to come up and talk to us about the meaning of life or God and death and really big conceive of stuff. And for Negativland we compete live very infrequently and we hadn’t played live since 2000. We don’t go out very often. And you might mention that this is the first time we’ve ever played Dallas—ever. And. I would say at the evaluate we’re going and at the age that some of the members are. I wouldn’t be surprised if it’s the last time we ever play in Dallas. But who knows? It’s just not something we do. We’re not cut out for life on the road. So when we came up with the new show and were having discussions about what the show would be. I said I don’t want to do a show about copyright infringement or anti-corporate this or that or advertising. We need to do a show that’s Negativland’s weird take on America post-9/11 about America in the Bush era. And you’ve kind of already gone over all that other stuff right?Yeah we have. Especially alter now things have become so bizarre and so dark with the direction our country has gone in. We all know that there’s torture going on and we just let it happen. Are we out in the streets just screaming our heads off to try and stop our government from doing this? come up no. Because our government has so successfully scared us and played the fear card that we don’t do it even though we know it’s happening. It’s not unlike the early days of what was happening in Germany. The parallels to the early days of fascism in other countries is quite disturbing. If I use that word some people will say. “Oh that can’t happen this is America.” Well. I’m sorry but it is happening here. And if you read history we’re in the middle of…come up history’s gonna look very poorly upon what happened in America after 9/11. We’re gonna be judged very harshly. I think and deservedly so. And our feeling was as populate going out and performing art we be to act to that. And we’re trying to do it in a creative way and in a way that suits Negativland. But this rise of fundamentalism that we’re seeing both in the West and in the world of Islam…it’s kind of unbelievable that in this day and age that we undergo presidents saying that God tells them what to do. I think that’s one thing that a lot of people respect about you guys. You see a lot of art for arts sake but very rarely is it so willing to go our and alter a statement. Especially on the experimental end of the spectrum. I think. You see a lot acts who think that just the fact that they’re experimental is complain enough. We get really excited by ideas. We love the surface of things. We love making weird noises we like making crazy cut-ups and all that but what really gets us excited about our work is when at the bear on of all those textural things and experimental approaches that there’s really strong ideas there. And the other thing that’s tricky is how do you do work that really is about ideas and has sociopolitical content but works as art and doesn’t just go off as didactic finger-wagging. It’s tricky and we’re always struggling with it because on one hand we always want our work to be about something but on the other hand we don’t want it to just come across as propaganda. The aesthetic aspect it super important. Well how specific do you get in your message. Do you call people out by name?We don’t. In fact that’s the line that crosses it. Doing a show about Bush or cutting up Bush [speeches] and making fun of him for us in Negativland is the last thing we would ever do. It’s a boring uninteresting approach. I mean. furnish…he’s so easy to make fun of it’s like shooting fish in a barrel. It’s pointless. And what’s good about this particular show of ours or at least we feel is that the subject is timeless and also really timely. We’re dealing with timeless issues but because of the time that we live in it gives the show and implied immediacy that seems to really affect people. And we’ve been getting really strong reactions from our audiences. People are really quite moved by the show and affected by it and that’s great. That’s the beat kind of response you can hope for.

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That not too surprising to those familiar with Negativland’s history. For years the bind has made headlines for things only tangential to their musical output: copyright infringements accusations of motivating murders issues of fair use—it’s all for you to catch up on if you aren’t too familiar with the assort. It also won’t surprise anyone to hear that given its nature this show now scheduled to act place at Sons of Hermann Hall was originally scheduled to take place at the now-defunct space. But actually the act to Sons couldn’t be exceed. Negativland’s performance tomorrow night is an interpretation of a live radio air—something the Son’s old-time ballroom conclude should actually enhance. So you’re in Texas alter now?Yeah we just played last night in Houston at the Media Archaeology Festival that’s put on every year by the Aurora Picture Show and it was an amazing fringe- micro-cinema thing. Now we’re on our way to Austin. And this tour is tied into your radio show?The performance piece we’re doing it’s called “It’s All in Your continue FM.” We have a weekly radio show that we do called Over The Edge and every week we have a different furnish to the show so we’ve been building upon that. We’ve been doing that radio show since ’81 and we decided for the first time ever to take it out on the road and put it on stage for people to see what happens and see how it works. Well it seems to be working well. If you’re trying to do creative work and keep evolving as a quote-unquote artist it’s good to be making bring home the bacon where you’re feeling nervous and uncomfortable about what you’re doing so you don’t get too complacent. So in the past when we’ve done live shows we’ve always had tons of visuals—props costumes puppet shows very very elaborate performances. And some populate would say. “Well the visual end was great but it makes it very very hard to change state on what you’re doing with the sound.” And when we play live our sound is a pretty densely layered intricate collage. And when you undergo all those visuals going on you don’t have to worry about the audience staring at you the whole time. So now we’re doing the opposite. We’re set up as a radio station live on stage and the only visuals we undergo is we have a nice “On Air” sign that comes on as the show starts. Is it supposed to be akin to old-time AM radio show or even the live-recorded shows you hear on NPR nowadays?I don’t evaluate it’s supposed to be akin to anything. It’s what we do when we do radio. And the show itself. “It’s All In Your Head FM,” it’s supposed to be a new network that’s on every week that’s solely devoted to talking about the idea of God and belief and faith and looking into why perhaps our belief in a hit God is causing us a lot of problems. How’s that been going? Were there any worries there?Well. I evaluate if we were doing it live at an outdoor festival for free and anyone could attend then we’d get a different reaction. But people who are coming to our show are folks that are interested in seeing what we’re doing. It’s kind of a process of elimination right there. But that being said there’s always that comment or critique of bring home the bacon where some would say that you’re preaching to the choir. So we really trying to do a show where we assumed our audience is going to be left of bear on where we assumed our audience is literate and cause to be perceived and follows what’s going on in the world and paying attention. So how can we put on a show for that audience that’s thought-provoking that’s challenging that leaves them at the end of the night with a lot to evaluate about. So we really tried to go up with a show that was challenging to ourselves first and foremost and we really had to talk about things that we’d never talked about in our assort. I’ve worked with these guys for almost 30 years and we’ve never sat around and really talked in-depth about our beliefs in God and the after-life and spirituality and where we choose of are on the agnostic to religious to atheist choose of scale of things. And of course we don’t all agree so we tried to come up with a show that reflected that as well. Does that mean that there’s a discussion element to the performance then?Well we’ve used cut-up voices in our shows and records since the beginning so we have mic breaks we have characters we change by reversal from the broadcast that we’re doing on stage to a live broadcast that’s coming from the local zoo. We try to really alter it as much desire a radio show as we can but again its Negativland’s version. It’s kind of desire a screwed up collaged layered messed up appropriated version of A Prairie domiciliate affiliate. But also what we’re doing the show itself is created for what we’re doing on stage and traditionally all the years we’ve been doing live shows we’ve performed very little bring home the bacon from our CDs. We kind of approach each medium as its own thing. When you’re working on a CD or in a studio there’s a lot things you can do that you can’t do live. And conversely when we play live we be it to be really live. We’re not using laptops; we don’t undergo everything pre-programmed in the computer. We’re really cutting out and layering and collaging all this stuff alter in front of you. So a lot of mistakes happen a lot of improvisation happens. The show in fact is fairly different every night because of that. Well that’s kind of the one thing that gets me down about live experimental music performances when you have someone sitting there with a laptop it’s not very visually stimulating…No. I think it’s absolutely utterly uninteresting actually and I don’t get why populate do it. If you’re creating something on a laptop as an audio conjoin that’s great but if you’re gonna be in front of populate for performance you’ve got to be thinking about it in that medium and that context. And it does seem like you guys really are emphasizing the performance. It sounds almost more like a theatrical production than just a standard contrive. Well it is set up just as a radio show where there is nothing to watch but what you’re getting to watch is us do the radio show. And we hope that it’s interesting to watch. That’s our wish. So a lot of discussion then?Yeah. You know after the show people are coming up to us and no one’s asking us about the U2 lawsuit or about copyright law. Everyone wants to come up and talk to us about the meaning of life or God and death and really big picture stuff. And for Negativland we play live very infrequently and we hadn’t played live since 2000. We don’t go out very often. And you might mention that this is the first time we’ve ever played Dallas—ever. And. I would say at the rate we’re going and at the age that some of the members are. I wouldn’t be surprised if it’s the measure time we ever play in Dallas. But who knows? It’s just not something we do. We’re not cut out for life on the road. So when we came up with the new show and were having discussions about what the show would be. I said I don’t be to do a show about copyright infringement or anti-corporate this or that or advertising. We need to do a show that’s Negativland’s weird take on America post-9/11 about America in the Bush era. And you’ve kind of already gone over all that other cram alter?Yeah we have. Especially right now things have become so bizarre and so dark with the direction our country has gone in. We all know that there’s torture going on and we just let it happen. Are we out in the streets just screaming our heads off to try and stop our government from doing this? Well no. Because our government has so successfully scared us and played the fear card that we don’t do it even though we know it’s happening. It’s not unlike the early days of what was happening in Germany. The parallels to the early days of fascism in other countries is quite disturbing. If I use that word some people ordain say. “Oh that can’t happen this is America.” Well. I’m sorry but it is happening here. And if you construe history we’re in the lay of…come up history’s gonna look very poorly upon what happened in America after 9/11. We’re gonna be judged very harshly. I evaluate and deservedly so. And our feeling was as people going out and performing art we need to respond to that. And we’re trying to do it in a creative way and in a way that suits Negativland. But this rise of fundamentalism that we’re seeing both in the West and in the world of Islam…it’s kind of unbelievable that in this day and age that we undergo presidents saying that God tells them what to do. I think that’s one thing that a lot of people respect about you guys. You see a lot of art for arts sake but very rarely is it so willing to go our and alter a statement. Especially on the experimental end of the spectrum. I evaluate. You see a lot acts who think that just the fact that they’re experimental is complain enough. We get really excited by ideas. We love the surface of things. We like making weird noises we love making crazy cut-ups and all that but what really gets us excited about our work is when at the center of all those textural things and experimental approaches that there’s really strong ideas there. And the other thing that’s tricky is how do you do work that really is about ideas and has sociopolitical content but works as art and doesn’t just go off as didactic finger-wagging. It’s tricky and we’re always struggling with it because on one hand we always be our work to be about something but on the other hand we don’t want it to just come across as propaganda. The aesthetic aspect it super important. Well how specific do you get in your communicate. Do you call people out by name?We don’t. In fact that’s the line that crosses it. Doing a show about Bush or cutting up Bush [speeches] and making fun of him for us in Negativland is the last thing we would ever do. It’s a boring uninteresting approach. I mean. Bush…he’s so easy to make fun of it’s like shooting fish in a barrel. It’s pointless. And what’s good about this particular show of ours or at least we feel is that the affect is timeless and also really timely. We’re dealing with timeless issues but because of the time that we live in it gives the show and implied immediacy that seems to really affect people. And we’ve been getting really strong reactions from our audiences. People are really quite moved by the show and affected by it and that’s great. That’s the best kind of response you can hope for.

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http://blogs.dallasobserver.com/dc9/2008/04/negativland_founder_mark_hosle.php

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London Metropolitan University’s Finding and Funding Voices colloquium measure week heard evidence from across Europe of the contribution community media is making to social inclusion community engagement and regeneration. Our own undergo confirms that especially among disaffected young people - from both native and minority communities - involvement in programme-making brings important gains in self- and peer-esteem as well as highly transferable digital and communication skills. Many other benefits to the community are come up documented as in for example Professor Anthony Everitt’s report on find Radio (ofcom org uk) and the Department for Culture report The Community communicate Sector: Looking to the Future (http://culture gov uk). Yet the UK’s community-radio sector is running on empty because there is not the understanding at the highest levels of what this local create of public-service broadcasting involves nor the political will to place it within agendas dealing with housing health crime prevention employment education regeneration and community development - the very areas in which community media undergo a proven preserve. 144 community radio licensees are having to make do with a start-up fund originally designed to support 15 and London is in a particularly bad situation with many communities unserved and many listeners turning to steal radio to hear what legal stations are not providing. Although anxiety has been building for some measure over the positions being taken by Comcast. Adrian’s complaint was the first to be filed under the new law against the nation’s dominant cable company. According to the pleading. Comcast’s actions violated at least two sections of the new statute. First. Comcast allegedly represented to the Michigan Public function Commission that the City had taken no action on the company’s furnish Franchise application in the first 30 days and therefore that the Uniform certify had been approved by operation of law. According to the City however a finding had been made that Comcast’s application was incomplete — Comcast simply ignored the conclusion and represented the matter differently to the MPSC. Second. Adrian’s lawsuit contends that Comcast should pay some portion of its gross revenues (above the 5% franchise fee) in support of public education and government access programming. While the new law appears to be clear on the matter (at least as clear as any other section. .). Comcast has nevertheless taken the position that no give of PEG programming is necessary. The City has requested that “[a]n request be entered requiring Comcast to pay an appropriate PEG fee as may be determined by the Public Service equip.” —>~ Efforts to establish Public. Education and Government (PEG) programing on the telecommunicate communicate in Fresno have been underway for over six years now. What happens in the next month or two ordain cause whether or not individuals and community groups ordain have an opportunity to produce and broadcast programs on Comcast cable. With a new statewide certify agreement about to act affect on January 1. 2007 all the City of Fresno would have to do is adopt an ordinance to accept the money from Comcast and PEG access would be guaranteed. With the money from the certify agreement we could open a Community Media bear on where there would be equipment and studios available for producing Public Access programs. These programs could be about the activities of a community assort a cultural presentation by one of this areas many ethnic groups a talk show about local politics or just about anything else you could create by mental act. The funding from the express franchise agreement would also pay for a government bring which would broadcast the Fresno City Council meetings. Other possible programs consider an interview with the City Manager an inside look at the planning commission exploring the exciting world of budget hearings and anything else that has to do with local government. The government channel will be our spotlight on local government. Unfortunately there are forces that do not be the public to have a voice on a public access channel. Jerry Duncan supports the government and the education channels but he is opposed to the public access bring because he believes that if the public wants air time they should pay for it. Duncan sees no problem with Big Government exercising their remove speech rights on the cable network to get their message out but he does not want community groups and individuals to undergo the same opportunity. —>~ —> Selectman Andrews also noted that the Tri-Town Public. Education and Government (PEG) find corporation. ORCTV has been having affect getting Comcast to agree to their contractual obligation to “light up” the tri-town education channel (Channel 18 ED-TV). According to the terms of Comcast’s contract with Marion. Mattapoisett and Rochester the channel was supposed to be activated on September 1. 2007. “It may be time for the three Town Administrators to confer with (ORCTV) Executive Director Kim Miot and our attorney. Bill Solomon who drafted the contract,” Selectman Andrews said. “The only thing holding up Channel 18 from going live is Comcast. The schools are ready to undergo content go out on Channel 18.” According to Selectman Andrews. Comcast has alleged that they need to acquire additional equipment to broadcast the channel from either ORR High School or the ORCTV facility in Marion but they knew for some measure they were obligated to activate Channel 18 on September 1. —>~ Cobb County educate board member Johnny Johnson ran his transfer across his balding head wondering perhaps if a little powder might take the shine off for the board’s live television debut Thursday night on Channel 24. He joshed with Superintendent Fred Sanderson. He indicated that Sanderson too might want to glam up his own receding hairline for the debut. Twenty six high-powered lights already installed in the ceiling had board chairman Lindsey Tippins cranking up the air conditioning. No doubt board members are up for Thursday night’s live entrance into dens and living rooms across Cobb County. No white shirts or excessive jewelry district public information officer Jay Dillon reminded board members in an telecommunicate this week. There’ll change surface be a pre-board dress rehearsal to go over the new gadgets on the microphones. Part of the $181,000 boardroom communications grade includes some cosmetic tweaking. The dais has been pulled forward a bring together of feet to alter room for a deep blue velvet curtain backdrop lending a more upscale look to the setting. It replaces two framed National School of Excellence awards that caused “an awful reflection,” Dillon said. Four new robotic cameras will surprise the challenge. Gone ordain be the grainy images and at times unintelligible audio on rebroadcast that brought home viewers into the boardroom four days after the board’s monthly meetings were over. Two technicians will be working monitors behind the scenes and a floor manager ordain make sure microphones get to speakers in the audience. —>~ Some Common Council members have desire referred to cable Channel 22 as “all cook all the time.” A large amount of measure they say is devoted to programs that showcase Mayor Byron W. Brown. But the criticism escalated Tuesday when some lawmakers accused the mayor’s office of using the channel to malign Council foes. They specifically point to the meeting of the mayor’s accountability team air a week before the primary. It showed the Sept. 7 meeting of Brown and several Cabinet members discussing a Council choose earlier in the year in which three lawmakers voted against releasing $10 million in state efficiency grants including more than $300,000 for Fire Department safety equipment. “Wait a second,” Brown said. “Are you saying that three Council members actually voted against safety equipment for our firefighters?” First Deputy Mayor Steven M. Casey then proceeded to name them: South Council Member Michael P. Kearns. Lovejoy Council Member Richard A. Fontana and Delaware Council Member Michael J. LoCurto. The Cabinet members discussed the issue for a few minutes criticizing those who voted against the grants. LoCurto was facing a spirited primary contend from Jessica Maglietto a mayoral aide who coordinates the accountability panel. Around the time the meeting was aired. LoCurto complained. Maglietto’s campaign mailed a flier that hit on the theme raised at the meeting. —>~ AT&T’s U-verse IPTV: Getting the Basics Right Firstby Anne B. McDonaldPC World09/25/07Today I’m attending the IPTV World conference come San Francisco. A good many in the growing IPTV industry are gathered here to talk about ways to improve the IPTV experience for viewers. AT&T’s VP of programming. Amy Friedlander is here to talk about the express of her company’s IPTV product. U-verse TV. Along with Verizon’s FiOS TV. U-verse is the IPTV function you’ve most likely heard about or considered buying. It was interesting talking to AT&T after I gave U-verse fairly low marks in a review of the service for PC World com. In the review I complained that U-verse looked and acted like just another cable function. IPTV we are promised should be able to do much more in the way of giving us choice and hold back over our TV watching time. There should also be much more integration of the TV service and all the content that’s available on the public Internet. I argued. —>~

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London Metropolitan University’s Finding and Funding Voices colloquium last week heard evidence from across Europe of the contribution community media is making to social inclusion community engagement and regeneration. Our own undergo confirms that especially among disaffected young populate - from both native and minority communities - involvement in programme-making brings important gains in self- and peer-esteem as come up as highly transferable digital and communication skills. Many other benefits to the community are well documented as in for example Professor Anthony Everitt’s report on Access Radio (ofcom org uk) and the Department for Culture inform The Community Radio Sector: Looking to the Future (http://culture gov uk). Yet the UK’s community-radio sector is running on alter because there is not the understanding at the highest levels of what this local form of public-service broadcasting involves nor the political will to place it within agendas dealing with housing health crime prevention employment education regeneration and community development - the very areas in which community media undergo a proven record. 144 community radio licensees are having to make do with a start-up finance originally designed to give 15 and London is in a particularly bad situation with many communities unserved and many listeners turning to pirate radio to comprehend what legal stations are not providing. Although anxiety has been building for some measure over the positions being taken by Comcast. Adrian’s complaint was the first to be filed under the new law against the nation’s dominant cable company. According to the pleading. Comcast’s actions violated at least two sections of the new statute. First. Comcast allegedly represented to the Michigan Public Service Commission that the City had taken no challenge on the company’s Uniform Franchise application in the first 30 days and therefore that the furnish Franchise had been approved by operation of law. According to the City however a finding had been made that Comcast’s application was incomplete — Comcast simply ignored the conclusion and represented the matter differently to the MPSC. Second. Adrian’s lawsuit contends that Comcast should pay some portion of its gross revenues (above the 5% franchise fee) in support of public education and government find programming. While the new law appears to be clear on the matter (at least as clear as any other section. .). Comcast has nevertheless taken the position that no support of PEG programming is necessary. The City has requested that “[a]n Order be entered requiring Comcast to pay an appropriate PEG fee as may be determined by the Public function equip.” —>~ Efforts to open Public. Education and Government (PEG) programing on the cable network in Fresno have been underway for over six years now. What happens in the next month or two will determine whether or not individuals and community groups ordain have an opportunity to produce and broadcast programs on Comcast cable. With a new statewide franchise agreement about to take affect on January 1. 2007 all the City of Fresno would undergo to do is choose an ordinance to accept the money from Comcast and PEG access would be guaranteed. With the money from the franchise agreement we could establish a Community Media Center where there would be equipment and studios available for producing Public Access programs. These programs could be about the activities of a community group a cultural presentation by one of this areas many ethnic groups a talk show about local politics or just about anything else you could imagine. The funding from the express franchise agreement would also pay for a government channel which would broadcast the Fresno City Council meetings. Other possible programs include an converse with the City Manager an inside look at the planning commission exploring the exciting world of calculate hearings and anything else that has to do with local government. The government channel ordain be our spotlight on local government. Unfortunately there are forces that do not want the public to have a voice on a public find channel. Jerry Duncan supports the government and the education channels but he is opposed to the public find channel because he believes that if the public wants air time they should pay for it. Duncan sees no problem with Big Government exercising their remove speech rights on the cable communicate to get their message out but he does not want community groups and individuals to undergo the same opportunity. —>~ —> Selectman Andrews also noted that the Tri-Town Public. Education and Government (PEG) Access corporation. ORCTV has been having trouble getting Comcast to adhere to their contractual obligation to “light up” the tri-town education channel (bring 18 ED-TV). According to the terms of Comcast’s contract with Marion. Mattapoisett and Rochester the channel was supposed to be activated on September 1. 2007. “It may be measure for the three Town Administrators to confer with (ORCTV) Executive Director Kim Miot and our attorney. Bill Solomon who drafted the contract,” Selectman Andrews said. “The only thing holding up bring 18 from going live is Comcast. The schools are ready to have circumscribe go out on Channel 18.” According to Selectman Andrews. Comcast has alleged that they need to purchase additional equipment to air the bring from either ORR High School or the ORCTV facility in Marion but they knew for some time they were obligated to initiate Channel 18 on September 1. —>~ Cobb County school board member Johnny Johnson ran his transfer across his balding head wondering perhaps if a little powder might take the emit off for the come in’s live television debut Thursday night on bring 24. He joshed with Superintendent Fred Sanderson. He indicated that Sanderson too might want to glam up his own receding hairline for the debut. Twenty six high-powered lights already installed in the ceiling had come in chairman Lindsey Tippins cranking up the air conditioning. No doubt board members are up for Thursday night’s live entrance into dens and living rooms across Cobb County. No white shirts or excessive jewelry district public information officer Jay Dillon reminded come in members in an e-mail this week. There’ll even be a pre-board dress rehearsal to go over the new gadgets on the microphones. move of the $181,000 boardroom communications grade includes some cosmetic tweaking. The dais has been pulled send a bring together of feet to make dwell for a deep blue velvet curtain backdrop lending a more upscale be to the setting. It replaces two framed National educate of Excellence awards that caused “an awful reflection,” Dillon said. Four new robotic cameras will catch the challenge. Gone will be the grainy images and at times unintelligible audio on rebroadcast that brought home viewers into the boardroom four days after the board’s monthly meetings were over. Two technicians will be working monitors behind the scenes and a floor manager will make sure microphones get to speakers in the audience. —>~ Some Common Council members have long referred to telecommunicate Channel 22 as “all Brown all the time.” A large amount of measure they say is devoted to programs that showcase Mayor Byron W. Brown. But the criticism escalated Tuesday when some lawmakers accused the mayor’s office of using the channel to malign Council foes. They specifically point to the meeting of the mayor’s accountability aggroup telecast a week before the primary. It showed the Sept. 7 meeting of Brown and several Cabinet members discussing a Council vote earlier in the year in which three lawmakers voted against releasing $10 million in state efficiency grants including more than $300,000 for Fire Department safety equipment. “Wait a second,” Brown said. “Are you saying that three Council members actually voted against safety equipment for our firefighters?” First Deputy Mayor Steven M. Casey then proceeded to name them: South Council Member Michael P. Kearns. Lovejoy Council Member Richard A. Fontana and Delaware Council Member Michael J. LoCurto. The Cabinet members discussed the issue for a few minutes criticizing those who voted against the grants. LoCurto was facing a spirited primary contend from Jessica Maglietto a mayoral aide who coordinates the accountability panel. Around the time the meeting was aired. LoCurto complained. Maglietto’s campaign mailed a flier that hit on the theme raised at the meeting. —>~ AT&T’s U-verse IPTV: Getting the Basics Right Firstby Anne B. McDonaldPC World09/25/07Today I’m attending the IPTV World conference near San Francisco. A good many in the growing IPTV industry are gathered here to talk about ways to improve the IPTV undergo for viewers. AT&T’s VP of programming. Amy Friedlander is here to talk about the state of her company’s IPTV product. U-verse TV. Along with Verizon’s FiOS TV. U-verse is the IPTV service you’ve most likely heard about or considered buying. It was interesting talking to AT&T after I gave U-verse fairly low marks in a review of the service for PC World com. In the analyse I complained that U-verse looked and acted like just another telecommunicate function. IPTV we are promised should be able to do much more in the way of giving us choice and control over our TV watching measure. There should also be much more integration of the TV function and all the content that’s available on the public Internet. I argued. —>~

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London Metropolitan University’s Finding and Funding Voices colloquium last week heard evidence from across Europe of the contribution community media is making to social inclusion community engagement and regeneration. Our own experience confirms that especially among disaffected young people - from both native and minority communities - involvement in programme-making brings important gains in self- and peer-esteem as well as highly transferable digital and communication skills. Many other benefits to the community are come up documented as in for example Professor Anthony Everitt’s inform on Access Radio (ofcom org uk) and the Department for Culture report The Community Radio Sector: Looking to the Future (http://culture gov uk). Yet the UK’s community-radio sector is running on empty because there is not the understanding at the highest levels of what this local form of public-service broadcasting involves nor the political will to place it within agendas dealing with housing health crime prevention employment education regeneration and community development - the very areas in which community media have a proven record. 144 community radio licensees are having to alter do with a start-up fund originally designed to support 15 and London is in a particularly bad situation with many communities unserved and many listeners turning to pirate radio to hear what legal stations are not providing. Although anxiety has been building for some time over the positions being taken by Comcast. Adrian’s complaint was the first to be filed under the new law against the nation’s dominant cable company. According to the pleading. Comcast’s actions violated at least two sections of the new statute. First. Comcast allegedly represented to the Michigan Public Service equip that the City had taken no action on the affiliate’s furnish Franchise application in the first 30 days and therefore that the furnish certify had been approved by operation of law. According to the City however a finding had been made that Comcast’s application was incomplete — Comcast simply ignored the conclusion and represented the matter differently to the MPSC. Second. Adrian’s lawsuit contends that Comcast should pay some portion of its bring in revenues (above the 5% franchise fee) in support of public education and government access programming. While the new law appears to be clear on the be (at least as clear as any other divide. .). Comcast has nevertheless taken the position that no support of PEG programming is necessary. The City has requested that “[a]n Order be entered requiring Comcast to pay an allot PEG fee as may be determined by the Public Service Commission.” —>~ Efforts to establish Public. Education and Government (PEG) programing on the telecommunicate communicate in Fresno have been underway for over six years now. What happens in the next month or two ordain determine whether or not individuals and community groups will have an opportunity to create and air programs on Comcast cable. With a new statewide franchise agreement about to act affect on January 1. 2007 all the City of Fresno would have to do is adopt an ordinance to evaluate the money from Comcast and PEG access would be guaranteed. With the money from the certify agreement we could establish a Community Media Center where there would be equipment and studios available for producing Public Access programs. These programs could be about the activities of a community group a cultural presentation by one of this areas many ethnic groups a talk show about local politics or just about anything else you could imagine. The funding from the state franchise agreement would also pay for a government channel which would air the Fresno City Council meetings. Other possible programs include an interview with the City Manager an inside look at the planning commission exploring the exciting world of budget hearings and anything else that has to do with local government. The government channel will be our bring out on local government. Unfortunately there are forces that do not want the public to have a voice on a public access bring. Jerry Duncan supports the government and the education channels but he is opposed to the public find channel because he believes that if the public wants air time they should pay for it. Duncan sees no problem with Big Government exercising their free speech rights on the telecommunicate network to get their message out but he does not want community groups and individuals to have the same opportunity. —>~ —> Selectman Andrews also noted that the Tri-Town Public. Education and Government (PEG) Access corporation. ORCTV has been having trouble getting Comcast to adhere to their contractual obligation to “light up” the tri-town education bring (Channel 18 ED-TV). According to the terms of Comcast’s assure with Marion. Mattapoisett and Rochester the bring was supposed to be activated on September 1. 2007. “It may be time for the three Town Administrators to confer with (ORCTV) Executive Director Kim Miot and our attorney. Bill Solomon who drafted the contract,” Selectman Andrews said. “The only thing holding up bring 18 from going live is Comcast. The schools are ready to have content go out on Channel 18.” According to Selectman Andrews. Comcast has alleged that they need to acquire additional equipment to air the bring from either ORR High School or the ORCTV facility in Marion but they knew for some time they were obligated to activate bring 18 on September 1. —>~ Cobb County school come in member Johnny Johnson ran his transfer across his balding head wondering perhaps if a little powder might take the shine off for the board’s live television debut Thursday night on Channel 24. He joshed with Superintendent Fred Sanderson. He indicated that Sanderson too might want to glam up his own receding hairline for the debut. Twenty six high-powered lights already installed in the ceiling had come in chairman Lindsey Tippins cranking up the air conditioning. No disbelieve board members are up for Thursday night’s live entrance into dens and living rooms across Cobb County. No color shirts or excessive jewelry district public information officer Jay Dillon reminded board members in an telecommunicate this week. There’ll change surface be a pre-board dress rehearsal to go over the new gadgets on the microphones. Part of the $181,000 boardroom communications grade includes some cosmetic tweaking. The dais has been pulled forward a bring together of feet to make room for a deep blue velvet curtain backdrop lending a more upscale look to the setting. It replaces two framed National educate of Excellence awards that caused “an awful reflection,” Dillon said. Four new robotic cameras will surprise the action. Gone ordain be the grainy images and at times unintelligible audio on rebroadcast that brought home viewers into the boardroom four days after the board’s monthly meetings were over. Two technicians ordain be working monitors behind the scenes and a floor manager will make sure microphones get to speakers in the audience. —>~ Some Common Council members have long referred to cable bring 22 as “all cook all the measure.” A large amount of time they say is devoted to programs that showcase Mayor Byron W. cook. But the criticism escalated Tuesday when some lawmakers accused the mayor’s office of using the channel to asperse Council foes. They specifically point to the meeting of the mayor’s accountability team air a week before the primary. It showed the Sept. 7 meeting of cook and several Cabinet members discussing a Council vote earlier in the year in which three lawmakers voted against releasing $10 million in express efficiency grants including more than $300,000 for Fire Department safety equipment. “act a second,” Brown said. “Are you saying that three Council members actually voted against safety equipment for our firefighters?” First Deputy Mayor Steven M. Casey then proceeded to name them: South Council Member Michael P. Kearns. Lovejoy Council Member Richard A. Fontana and Delaware Council Member Michael J. LoCurto. The Cabinet members discussed the issue for a few minutes criticizing those who voted against the grants. LoCurto was facing a spirited primary contend from Jessica Maglietto a mayoral aide who coordinates the accountability panel. Around the time the meeting was aired. LoCurto complained. Maglietto’s campaign mailed a flier that hit on the theme raised at the meeting. —>~ AT&T’s U-verse IPTV: Getting the Basics Right Firstby Anne B. McDonaldPC World09/25/07Today I’m attending the IPTV World conference near San Francisco. A good many in the growing IPTV industry are gathered here to talk about ways to improve the IPTV undergo for viewers. AT&T’s VP of programming. Amy Friedlander is here to talk about the express of her company’s IPTV product. U-verse TV. Along with Verizon’s FiOS TV. U-verse is the IPTV service you’ve most likely heard about or considered buying. It was interesting talking to AT&T after I gave U-verse fairly low marks in a analyse of the service for PC World com. In the review I complained that U-verse looked and acted like just another telecommunicate service. IPTV we are promised should be able to do much more in the way of giving us choice and hold back over our TV watching measure. There should also be much more integration of the TV function and all the content that’s available on the public Internet. I argued. —>~

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<div style="margin: 12px 0px; font-family: arial; color: #333333; accent: #ffffff; border: solid 4px #e5e5e5; width: 100%; alter: left;"><div class="CM_CTB_Content_Wrap" style="margin: 0px; padding: 0px;background-color: #ffffff;"><div style="border-bottom: solid 1px #dcdcdc; white-space: nowrap; margin-bottom: 8px; background-color: #eeeeee ;background-image: url(http://clipmarks com/images/source-bg gif); background-repeat: repeat-x; height: 24px; line-height: 24px; vertical-align: middle; padding-bottom: 4px; color: #666666; font-size: 10px;" ><a href="http://clipmarks com/clip-to-blog/" title="see clips that are hot right now"><img src="http://content clipmarks com/blog_embed/9f9d00ea-2f51-4ccc-b44f-a7586cc86d96/9D967670-08B9-483D-85E1-B39016DEBA73/" alt="" width="19" height="19" border="0" style="vertical-align: middle; margin: 0px 4px; display: inline; border: none; float:none;" /></a>clipped from <a title="http://www en rian ru/russia/20070924/80694850 html" href="http://www en rian ru/russia/20070924/80694850 html" style="font-size: 11px;">www en rian ru</a></div><blockquote call="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" have in mind="http://www en rian ru/russia/20070924/80694850 html"><P>MOSCOW. September 24 (RIA Novosti) - A 15-year-old boy from the Urals suffered acute frostbite after riding the go of a Boeing-737 plane on a two-hour flight from Perm to Moscow. Russian radio station Mayak reported on Monday. </P></blockquote><div style="height: 2px; font-size: 2px; accent: #dcdcdc; border-bottom: solid 1px #f5f5f5; margin: 2px 4px;"></div><blockquote call="text-align: left; padding: 0px 8px; margin: 4px 0px 8px 0px; background: transparent; border: none;" have in mind="http://www en rian ru/russia/20070924/80694850 html"><P>After clinging on for the entire 1300-kilometer (808-mile) pip to Vnukovo Airport the boy named Andrei collapsed onto the tarmac. His arms and legs were so severely frozen that rescuers were at first unable to shift his cover and shoes the radio displace said. </P></blockquote><div style="height: 2px; font-size: 2px; accent: #dcdcdc; border-bottom:.

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Random blather and nattering of a newly minted clinical psychology PhD during the search for a neuropsychology postdoctoral fellowship while juggling family volunteering and an in-home business. I am a highly trained professional. Don't try this at home. Okay though definitely in the home stretch. I'm still busier than all hell but I ran across this the other day and had to share. I wish I'd had it in time for my own defense because it would have helped me deal with the event my favorite way - with humor. 1. "Ladies and Gentlemen gratify go for a moment of conquer followed by the singing of our National Anthem..."2. Charge 25 cents a cup for coffee.3. "Charge the mound" when a professor beans you with a high fast question.4. exposit parts of your thesis using interpretive dance.5. "Musical accompaniment provided by..."6. Stage your own death/suicide.7. Lead the spectators in a Wave.8. Have a sing-a-long.9. "You label THAT a question? How the hell did they make you a professor?"10. "Ladies and Gentlemen as I dim the lights please direct hands and change state so that we may channel the spirit of Lord Kelvin..."11. Have bodyguards outside the dwell to "discourage" certain professors from sitting in.12. Puppet show.13. assort prayer.14. Animal sacrifice to the god of the Underworld.15. Sell T-shirts to recoup the be of copying binding etc.16. "I'm sorry. I can't comprehend you - there's a banana in my ear!"17. Imitate Groucho Marx.18. Mime.19. Hold a Tupperware party.20. Have a bikini-clad model be in rush of changing the overheads.21. "Everybody rhumba!!"22. "And it would undergo worked if it weren't for those meddling kids..."23. rush a cover and analyse for ID.24. "In protest of our government's systematic and brutal oppression of minorities..."25. "Anybody else as drunk as I am?"26. consume machines dramatic lighting pyrotechnics... 27. Use a Super Soaker to point at people.28. Surreptitiously fill the dwell with laughing gas.29. Door prizes and a raffle.30. "gratify evince your challenge in the form of an answer..."31. "And now a word from our sponsor..."32. Present your entire talk in iambic pentameter.33. go piteously beg cry...34. Switch halfway through your talk to Pig Latin. Or Finnish Pig Latin.35. The Emperor's New Slides ("only fools can't see the writing...")36. Table dance (you or an exotic dancer).37. Fashion show.38. "Yo a change surface shout out to my homies..."39. "I'd like to thank the Academy..."40. Minstrel show (blackface etc.).41. Previews cartoons and the Jimmy Fund.42. go the collection basket.43. Two-drink minimum.44. Black tie only.45. "Which reminds me of a story - A Black guy a Chinese guy and a Jew walked into a bar..."46. Incite a revolt.47. Hire the Goodyear Blimp to circle the building.48. channel a flock of doves.49. Defense by proxy.50. "And now a reading from the schedule of Mormon..."51. get Jehovah's watch pamphlets scattered about.52. "There ordain be a short examine after my presentation..."53. "Professor Smith will you marry me?"54. Bring your pet boa.55. Tell ghost stories.56. Do a "show and tell".57. Food contend.58. contend a professor to a contend. Slapping him with a glove is optional.59. Halftime show.60. "Duck duck move duck... GOOSE!"61. "OK - which one of you farted?"62. Rimshot.63. Sell those big bubble "We're number #1" hands.64. Pass out souvenir matchbooks.65. 3-ring defense.66. "Tag - you're it!"67. Circulate a vicious rumor that the Dead ordain be opening making sure that it gets on the radio stations and flee during all the commotion.68. Post signs: "Due to a computer error at the Registrar's Office the original room is not available and the defense has been relocated to (Made-up non-existent room number)"69. Hang a piñata over the table and undergo a strolling mariachi bind.70. Make each professor remove an item of clothing for each question he asks.71. Rent a billboard on the highway proclaiming "Thanks for passing me Professors X. Y and Z" - BEFORE your defense happens.72. undergo a make-your-own-sundae delay during the defense.73. Make committee members feature silly hats.74. Simulate your experiment with a virtual reality system for the spectators.75. Do a soft-shoe routine.76. impel a disguise defense end with bobbing for apples and pin-the-tail-on-the-donkey.77. Use a Greek Chorus to highlight important points.78. "The responsorial psalm can be found on page 124 of the thesis..."79. Tap move.80. Vaudeville.81. "I'm sorry Professor Smith. I didn't say 'SIMON SAYS any questions?'. You're out."82. Flex and show off those massive pecs.83. change in top hat and tails.84. Hold a pre-defense pep rally end with cheerleaders pep band and a bonfire.85. change integrity a small nuclear device in the room. Or threaten to.86. Shadow puppets.87. show slides of your last vacation.88. Put your overheads on a enter take. Designate a professor to be in charge of turning the take when the attach recording beeps.89. Same as #88 but instead of a tape recorder go around the room making a different person read the pre-written text for each conceive of.90. "OK everybody - heads drink on the desk until you show me you can behave."91. Call your advisor "sweetie".92. Have everyone be for a assort photo.93. Instant reproduce.94. express emotion maniacally.95. Talk with your mouth full.96. Start speaking in tongues.97. Explode.98. Implode.99. Spontaneously change state.100. say every challenge with a question.101. Moon everyone in the room after you are done.102. "Laugh ordain you? come up they laughed at Galileo they laughed at Einstein..."103. Hand out 3-D glasses.104. "I'm rubber you're glue..."105. Go into labor (especially for men).106. Give your entire speech in a "Marvin Martian" accent.107. "I don't experience - I didn't create verbally this."108. Before your defense build trapdoors underneath all the seats.109. Swing in through the window yelling a la Tarzan.110. Projectile vomit on your committee.111. Roll credits at the end. consider a "key grip" and a "best boy".112. Hang a dance ball in the center of the room. John Travolta pose optional.113. Invite the homeless.114. "I could answer that but then I'd have to kill you"115. enclose.116. Get a friend to ask the first question. Draw a blank-loaded gun andv"shoot" him. undergo him make a great scene of dying (fake daub helps). Turn to the stunned audience and ask "any other wise-ass remarks?"117. Same as #116 except use real bullets.118. "Well. I saw it on the Internet so I figured it might be a good idea..."119. Wear clown makeup a jest wig clown shoes and a clown nose. And nothing else.120. Use the words "marginalized". "empowerment" and "patriarchy".121. Play Thesis Mad Libs.122. Try to use normal printed paper on the overhead projector.123. Do your entire defense operatically.124. Invite your parents. Especially if they are fond of fawning over you. ("We always knew he was such an intelligent child")125. Flash "APPLAUSE" and "LAUGHTER" signs.126. dance pit.127. undergo cheerleaders. ("Gimme an 'A'!!")128. carry Howard Cosell back from the dead to do color commentary.129. "I say Hallelujah brothers and sisters!"130. affirm political asylum.131. merchandise reports every 10 minutes on the 1's.132. Introduce the "Eyewitness Thesis aggroup". Near the end of your talk cut to Jim with sports and Alison with the defy.133. Live radio and TV coverage.134. fasten a sign that says "Thank you for not asking questions"135. Bring a microphone. inform it at the questioner talk-show style.136. Use a TelePrompTer137. "Take my wife - please!"138. react to answer questions.

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about getting hint in the approve seat on under the covers or beneath the boardwalk. This legendary metal ballad--still the greatest ever conceived--is likely responsible for many births in the world. In fact. Matthias Jabs of the Scorpions ordain tell you that France in particular takes the like ode so seriously he and the bind were introduced to a child born to Scorps fans with the label "Sly," which stems from the acronym "S-L-Y," or "Still Lovin' You." While North America has mostly forgotten "comfort Lovin' You" and other Scorpions classics like "Lovin' You Sunday Morning," "The Zoo," "Bad Boys Running Wild" and "Another Piece of Meat," the standard knows like they experience the national anthem (come up in most cases anyway) is the pop-fused "Rock You desire a Hurricane." While this is a cover and butter song for the Scorpions. Matthias Jabs and affiliate want you all to know there's new Scorpions music out there and frankly it's one of the big pleasant surprises of 2007. is a dead-solid album of rockers and ballads and it finds the Scorps stepping into newer territories with one foot melded firmly in the past. The communicate is so ambitious Billy Corgan of Smashing Pumpkins joined the party on "The Cross" from Guitarist Matthias Jabs gave me this side Take 5 converse which is companion to an article I wrote on the Scorpions for an upcoming air of Whistle softly to the tune of "Wind of Change" if you desire as you construe... The Metal Minute: I always think back on 1988 and the Monsters of move back and forth tour which the Scorpions just dominated. I evaluate about how Metallica hadn’t change surface broken out yet. Van Halen had Sammy Hagar with them you had Dokken and Kingdom go. You guys were touring behind the album which I evaluate you really brought forth forcefully in that stadium. Summer festivals today are just so gimmicky and people can’t really relate to how special something desire Monsters of move back and forth was. What are some of your memories of that particular journey?Matthias Jabs: Just the best memories; it was something highly unusual until today that bands go on the road and play stadiums three or four times a week. I think that’s unheard of today. Nobody can do it now but eighties move back and forth was at its peak and Van Halen had a big name we were big enough and as you said. Metallica had just started out. I evaluate they didn’t quite get so famous until after that journey; before nobody really knew them. We met our current drummer James Kottak there; he was playing with Kingdom Come opening up and we were all just the best of friends. Those were just the best memories; we played the large sold-out New York Giants stadium and The Coliseum in L. A. the Mile High Stadium in Denver and all of them. It was a fantastic tour. MM: It’s funny to me outside of the hardcore fans here in North America a song desire “Still Loving You” has been a bit forgotten but I personally conclude that song’s the absolute beat metal ballad of all-time. That song was just the greatest makeout song! How do you be at that song 23 years later?MJ: I mean this song was a huge success in many countries and it was very popular at the measure in States but in France it was unbelievable! They act it (laughs) I think it created a do by go in France—and France is a small merchandise—but I think it sold 1.5 million singles in a market one-tenth of Germany and Germany is maybe one-tenth of the United States. Everybody had that single! Recently when we played Paris some fans came with their children and one in particular was named “Sly,” as in “S-L-Y” for “Still Loving You.” It was one of those baby booms so there you undergo it. Of cover in the States it was big because we released and many of the songs were the same so it was desire a manifold dose with the live version and the studio version. It’s a song probably nobody would ever record today. The chorus basically comes after five minutes and the whole song is maybe seven minutes on the original version. Every producer today would go “Ugh! You can’t do that!” Songs undergo to be under four minutes now so those were the good ol’ days when everybody just did what entangle right; this is where those songs came from a measure where things could be remove. MM: Have you come across any copies of the fully uncensored lately? You know which one; the version without the picture close in! As it is we had to enclose the one that Mercury let slip through from our parents! (laughs)MJ: That was the idea! (laughs) It was hidden so come up nobody could actually buy the original! Wal Mart and the more conservative stores banned it which by the way only happened in the U. S. In Europe it was always available as a picture disc specially made in England at the measure which made it very popular over there! We just left England and all over Europe before coming over here and in England populate produced those conceive of discs that are obviously collectors’ items and we had to sign a lot those on this tour. They be fabulous! MM: I experience that had to have been intense when you guys went to Russia in the late eighties; I remember hearing a lot of populate talk about what an incredible moment the Scorpions being one of the first western bands to crash through the Soviet bloc... MJ: Yes absolutely. I think we were for sure the first western rock band ever there in early 1988 and playing ten shows in Leningrad because they didn’t be to allow us to play in Moscow. First we had five shows scheduled in Leningrad which is now St. Petersburg again and then five shows in Moscow but they canceled those and—typical—they said ‘Nope you’ve got to compete all ten shows in Leningrad.’ Okay so we did but we visited Moscow on our way domiciliate for a day or two—not playing—but then a year-and-a-half later there was the Moscow Music Peace Festival with all the other bands like Bon Jovi. Cinderella. diversify Crue so that was an exciting two-day festival; Lenin Stadium. 100,000 populate at least each day free entrance of cover. That whole week we spent there was filled with populate from all over the world mainly America. Canada. England and Germany but the crews production populate and the bands we rented a huge boat and that’s when Klaus (Meine vocals) had the idea to create verbally "Wind of dress" on the River Moscow floating drink and we had a few drinks.. it was Moscow in a different light just one-and-a-half years later. We saw the first pizza transport and tried to follow it down but the food was awful! Then I think about one-and-a-half years earlier in 1988 or ’89 when McDonald’s had their first pay in the doorstep so you could see the opening up to the western world. I think this album has started to get a lot of populate’s attention here in North America because it has that bigger-than-life rock sound of the eighties that we’ve been missing for quite some time. Is that something you conclude as come up?MJ: We recorded it in Los Angeles and obviously we’ve entangle comfortable in the States. We’ve been here so many years and decades and we’ve been influenced by the vibe here and we bring home the bacon with American producers so naturally it has this sound we were all hoping for that it fits the situation over here. We didn’t design it for that but what came out just sounded good! I’m just hoping it’ll do something because recently we’ve always been choose of sitting between.

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