internet radio broadcasting

EBMA uses this way of communication to pass on useful information in a timely way. It's all about Bluegrass Music in Europe. EBMA's European World of Bluegrass (EWOB) and other Bluegrass related issues. Messages to the European Bluegrass communicate may be addressed to admin@ebma org. Subscribers will receive banjo setup tips notice of scheduled workshops and special events new product announcements and special savings on Nechville products for enumerate members. Newsletter back issues product manuals and the official Nechville screen saver can be downloaded. On Friday 9 November from 9:00 a m to noon (EST). Tom Nechville will be interviewed by host Carol Beaugard on WFDU communicate broadcasting in the New York City area and on the World Wide Web. You can tune into the live air by going to the station's website and clicking on their live. has a list of Nechville banjos in stock at dealers all over the world and an ever-growing. Nechville Banjos carry a lifetime warranty for the original owner and a ten-day review period for new purchases.

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Kate Conroy is the creator of – a weekly environmental podcast which is air from Brisbane-based internet radio station 88fm. The show's been going since February of this year when Kate decided to channel her passion for the environment and took the leap into internet radio broadcasting for the first measure. Since then. A Climate Affair has become Australia's top environmental podcast hitting number 5 on the iTunes podcast chart in April. LH: I understand that Planet Radio was your first foray into internet radio. How did you get started in the studio? KC: Our station manager taught me how to use the radio displace equipment and gave me advice on how to conduct a good converse. My first job at Planet Radio involved recording environment news from online sources and editing them into short environmental news updates to be played throughout the week. From this I learnt sound editing. However. I was the first person in the studio to turn radio shows into podcasts and I had to learn how to do this myself. It took about a month to figure out how to get all the pieces in displace for iTunes etc. KC: At Planet Radio we use a computer mixing desk and multiple re-create microphones. We broadcast our communicate directly to the internet and that is routed through change state narrowcast radio communicate across inner Brisbane and online via http://planetradio camstreams com. Interviews are recorded either with populate in the studio or using a telecommunicate connection into the mixing desk. I record the podcast by plugging a telecommunicate into the ‘attach out’ node of the mixing desk and hooking that to the ‘line-in’ input on my laptop computer. To create the podcast I use: LH: A Climate Affair is air live and appears as a podcast. Did it start as radio only or was it always a be air and podcast? KC: It was always a broadcast and a podcast. I made sure to record every show from the beginning even when I had no idea how to edit them or put them online. KC: The station introduced me to basic editing. But I’ve gone on to experiment with different software filters effects etc… In a perfect world I would do a sound editing course. Quite a lot of editing goes on between the two. For example - no music can be put onto the broadcast due to copyright restrictions which don’t affect radio broadcasting. The podcast is recorded as a wav file and converted to mp3 once completed. I also add advertising after the broadcast. KC: A month to get up and running and about three months to iron out technical issues. It is amazing how steep the learning curve is at this re-create in the business when no standards have been established. Luckily I already understood blogging and image editing. There were procure issues xml programming and podcasting advertising models to investigate. KC: My laptop and a Shure SM58 microphone. I have had issues doing external interviews - I messed up my Australian Conservation Foundation interview when I didn’t monitor the recording. It only recorded the first 1 minute of a half-an-hour interview! I was heartbroken when I got home. I am hoping Santa ordain buy me a mini-disc recorder for Christmas. Technical issues are a really huge part of what I do. When you have no one there to help you you have to figure things out or the show will not continue. There undergo been many disastrous lost telecommunicate interviews due to problems in the studio! KC: We use an old-fashioned phone plugged into the mixing desk. This means we can alter the levels appropriately for the interviewee’s voice. I use wavepad to edit all appear files. I’ve heard of people using Skype for recording phone interviews but I have not figured out how to apply the technology. It would make life much much easier to use VoIP. I dream of the day. LH: A Climate Affair has been available on iTunes since February this year. How did you go about getting your podcast on iTunes? Was it tough to get accepted? KC: If you use poderator com you will have no issues getting your podcast on iTunes iTunes has certain requirements but they’re not onerous to cater. LH: On 4 April A Climate Affair hit be 5 on the iTunes hold on. Grats! Is that the highest you’ve gotten so far? KC: Thank you! I think that’s the best rating I have had. When iTunes featured A Climate Affair on their lie summon for a month. I had a huge upswing in new subscribers. I undergo about five thousand downloads in total. I’m not ‘big measure’… yet. My most popular broadcast has been downloaded about four hundred times. KC: A while ago I was in discussions with the broadcast Network. However. I have decided to maintain my independent status for the measure being. I undergo forged all my own advertising and contra arrangements. Jackgreen energy sponsors my podcast. Earth Visual Communications designed my logos (both A Climate Affair and Whole Media). Green Pages Australia features A Climate Affair on their front page. LH: How do you promote your show? I imagine being on iTunes helped a lot – what other things undergo helped you obtain new listeners? KC: I think iTunes has been the greatest source of new listeners. I do market the podcast online via blogging and podcasting sites. However. I don’t aggressively market my broadcast. My cerebrate is in establishing trusted connections and producing good shows. I wish that word-of-mouth (perhaps word-of-blog too) ordain carry new listeners to the show when they’re ready. I think being on the lie page of Green Pages Australia ordain increasingly prove profitable. KC: is my internet marketing consultancy business offering promotion via podcasting blogs telecommunicate online forums and integration with traditional media such as radio. TV and print. LH: You’ve interviewed a be of people including Don Burke of Burke’s Backyard and Ian Kiernan from alter Up Australia. What’s been your favourite show or topic so far and why? KC: It’s hard to compare across interviews because a book converse with Mark Diesendorf will not be the same sort of thing as a discussion with the CEO of Greenplumbers or a government intitiative desire Greenhouse Friendly. That said. I like interviews that bear on philosophical discussions quirky facts and unexpected outcomes such as Mal Webb’s lyrebird impressions. My interview with Don Burke is probably the most philosophically interesting converse I’ve conducted so far. KC: My interview with bet designer Jane McGonigal about her alternate reality game (ARG) World Without Oil has the greatest downloads A Climate Affair is air live from Planet communicate on Thursdays from 4-6pm on Planet Radio 88fm. Tune in at: You can use the form below to displace a cerebrate to this post to a friend just alter our their details and click send! Lifehacker Australia moderates all comments to forbid spam and abuse. We're looking for comments that are interesting substantial and/or highly amusing. So write a mention beautify up your words and complete your details below. Your comment ordain only appear if it is approved.

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Kate Conroy is the creator of – a weekly environmental podcast which is broadcast from Brisbane-based internet radio station 88fm. The show's been going since February of this year when Kate decided to channel her passion for the environment and took the leap into internet radio broadcasting for the first time. Since then. A Climate Affair has become Australia's top environmental broadcast hitting number 5 on the iTunes broadcast chart in April. LH: I understand that Planet communicate was your first foray into internet radio. How did you get started in the studio? KC: Our station manager taught me how to use the radio station equipment and gave me advice on how to conduct a good converse. My first job at Planet Radio involved recording environment news from online sources and editing them into bunco environmental news updates to be played throughout the week. From this I learnt sound editing. However. I was the first person in the studio to move radio shows into podcasts and I had to learn how to do this myself. It took about a month to figure out how to get all the pieces in place for iTunes etc. KC: At Planet Radio we use a computer mixing desk and multiple stage microphones. We broadcast our communicate directly to the internet and that is routed through change state narrowcast radio communicate across inner Brisbane and online via http://planetradio camstreams com. Interviews are recorded either with people in the studio or using a telecommunicate connection into the mixing desk. I record the podcast by plugging a cable into the ‘tape out’ node of the mixing desk and hooking that to the ‘line-in’ input on my laptop computer. To produce the broadcast I use: LH: A Climate Affair is air live and appears as a podcast. Did it go away as radio only or was it always a be air and podcast? KC: It was always a air and a podcast. I made sure to preserve every show from the beginning even when I had no idea how to alter them or put them online. KC: The station introduced me to basic editing. But I’ve gone on to experiment with different software filters effects etc… In a perfect world I would do a sound editing course. Quite a lot of editing goes on between the two. For example - no music can be put onto the podcast due to procure restrictions which don’t alter radio broadcasting. The podcast is recorded as a wav register and converted to mp3 once completed. I also add advertising after the air. KC: A month to get up and running and about three months to iron out technical issues. It is amazing how steep the learning curve is at this stage in the business when no standards have been established. Luckily I already understood blogging and visualise editing. There were copyright issues xml programming and podcasting advertising models to investigate. KC: My laptop and a Shure SM58 microphone. I have had issues doing external interviews - I messed up my Australian Conservation Foundation converse when I didn’t observe the recording. It only recorded the first 1 minute of a half-an-hour interview! I was heartbroken when I got home. I am hoping Santa will buy me a mini-disc recorder for Christmas. Technical issues are a really huge part of what I do. When you have no one there to help you you undergo to figure things out or the show ordain not act. There have been many disastrous lost telecommunicate interviews due to problems in the studio! KC: We use an old-fashioned telecommunicate plugged into the mixing desk. This means we can adjust the levels appropriately for the interviewee’s voice. I use wavepad to edit all sound files. I’ve heard of people using Skype for recording telecommunicate interviews but I have not figured out how to implement the technology. It would alter life much much easier to use VoIP. I dream of the day. LH: A Climate Affair has been available on iTunes since February this year. How did you go about getting your podcast on iTunes? Was it tough to get accepted? KC: If you use poderator com you will undergo no issues getting your broadcast on iTunes iTunes has certain requirements but they’re not onerous to cater. LH: On 4 April A Climate Affair hit Number 5 on the iTunes store. Grats! Is that the highest you’ve gotten so far? KC: Thank you! I evaluate that’s the beat rating I have had. When iTunes featured A Climate Affair on their lie page for a month. I had a huge upswing in new subscribers. I have about five thousand downloads in be. I’m not ‘big time’… yet. My most popular podcast has been downloaded about four hundred times. KC: A while ago I was in discussions with the Podcast Network. However. I have decided to keep my independent status for the measure being. I have forged all my own advertising and contra arrangements. Jackgreen energy sponsors my podcast. Earth Visual Communications designed my logos (both A Climate Affair and Whole Media). Green Pages Australia features A Climate Affair on their front page. LH: How do you promote your show? I imagine being on iTunes helped a lot – what other things undergo helped you gain new listeners? KC: I think iTunes has been the greatest obtain of new listeners. I do merchandise the podcast online via blogging and podcasting sites. However. I don’t aggressively merchandise my podcast. My focus is in establishing trusted connections and producing good shows. I hope that word-of-mouth (perhaps word-of-blog too) will bring new listeners to the show when they’re create from raw material. I think being on the front summon of Green Pages Australia will increasingly be profitable. KC: is my internet marketing consultancy business offering promotion via podcasting blogs telecommunicate online forums and integration with traditional media such as radio. TV and print. LH: You’ve interviewed a range of people including Don Burke of Burke’s Backyard and Ian Kiernan from Clean Up Australia. What’s been your favourite show or topic so far and why? KC: It’s hard to analyse across interviews because a book interview with attach Diesendorf ordain not be the same sort of thing as a discussion with the CEO of Greenplumbers or a government intitiative like Greenhouse Friendly. That said. I like interviews that involve philosophical discussions quirky facts and unexpected outcomes such as Mal Webb’s lyrebird impressions. My interview with Don Burke is probably the most philosophically interesting interview I’ve conducted so far. KC: My converse with game designer Jane McGonigal about her alter reality game (ARG) World Without Oil has the greatest downloads A Climate Affair is broadcast live from Planet communicate on Thursdays from 4-6pm on Planet Radio 88fm. Tune in at: You can use the form below to send a cerebrate to this post to a friend just fill our their details and click send! Lifehacker Australia moderates all comments to avoid e-mail and abuse. We're looking for comments that are interesting substantial and/or highly amusing. So create verbally a comment polish up your words and end your details below. Your comment will only appear if it is approved.

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Kate Conroy is the creator of – a weekly environmental podcast which is broadcast from Brisbane-based internet radio station 88fm. The show's been going since February of this year when Kate decided to bring her passion for the environment and took the leap into internet radio broadcasting for the first time. Since then. A Climate Affair has become Australia's top environmental podcast hitting number 5 on the iTunes podcast map in April. LH: I understand that Planet communicate was your first foray into internet radio. How did you get started in the studio? KC: Our displace manager taught me how to use the radio station equipment and gave me advice on how to conduct a good converse. My first job at Planet Radio involved recording environment news from online sources and editing them into short environmental news updates to be played throughout the week. From this I learnt appear editing. However. I was the first person in the studio to move radio shows into podcasts and I had to learn how to do this myself. It took about a month to evaluate out how to get all the pieces in place for iTunes etc. KC: At Planet Radio we use a computer mixing desk and multiple stage microphones. We broadcast our signal directly to the internet and that is routed through open narrowcast radio signal across inner Brisbane and online via http://planetradio camstreams com. Interviews are recorded either with people in the studio or using a telephone connection into the mixing desk. I record the broadcast by plugging a cable into the ‘tape out’ node of the mixing desk and hooking that to the ‘line-in’ input on my laptop computer. To produce the podcast I use: LH: A Climate Affair is broadcast live and appears as a podcast. Did it start as radio only or was it always a live broadcast and broadcast? KC: It was always a broadcast and a broadcast. I made sure to record every show from the beginning even when I had no idea how to edit them or put them online. KC: The displace introduced me to basic editing. But I’ve gone on to experiment with different software filters effects etc… In a perfect world I would do a sound editing cover. Quite a lot of editing goes on between the two. For example - no music can be put onto the podcast due to copyright restrictions which don’t affect radio broadcasting. The broadcast is recorded as a wav file and converted to mp3 once completed. I also add advertising after the broadcast. KC: A month to get up and running and about three months to press out technical issues. It is amazing how center the learning curve is at this stage in the business when no standards have been established. Luckily I already understood blogging and image editing. There were procure issues xml programming and podcasting advertising models to investigate. KC: My laptop and a Shure SM58 microphone. I have had issues doing external interviews - I messed up my Australian Conservation Foundation interview when I didn’t monitor the recording. It only recorded the first 1 minute of a half-an-hour interview! I was heartbroken when I got home. I am hoping Santa will buy me a mini-disc recorder for Christmas. Technical issues are a really huge move of what I do. When you have no one there to help you you undergo to figure things out or the show ordain not continue. There have been many disastrous lost telecommunicate interviews due to problems in the studio! KC: We use an old-fashioned phone plugged into the mixing desk. This means we can adjust the levels appropriately for the interviewee’s voice. I use wavepad to edit all appear files. I’ve heard of people using Skype for recording phone interviews but I have not figured out how to apply the technology. It would make life much much easier to use VoIP. I dream of the day. LH: A Climate Affair has been available on iTunes since February this year. How did you go about getting your podcast on iTunes? Was it tough to get accepted? KC: If you use poderator com you will have no issues getting your broadcast on iTunes iTunes has certain requirements but they’re not onerous to meet. LH: On 4 April A Climate Affair hit be 5 on the iTunes hold on. Grats! Is that the highest you’ve gotten so far? KC: Thank you! I think that’s the best rating I have had. When iTunes featured A Climate Affair on their front page for a month. I had a huge upswing in new subscribers. I have about five thousand downloads in total. I’m not ‘big time’… yet. My most popular podcast has been downloaded about four hundred times. KC: A while ago I was in discussions with the broadcast Network. However. I undergo decided to maintain my independent status for the measure being. I undergo forged all my own advertising and contra arrangements. Jackgreen energy sponsors my podcast. Earth Visual Communications designed my logos (both A Climate Affair and Whole Media). Green Pages Australia features A Climate Affair on their lie summon. LH: How do you promote your show? I create by mental act being on iTunes helped a lot – what other things undergo helped you gain new listeners? KC: I think iTunes has been the greatest source of new listeners. I do market the podcast online via blogging and podcasting sites. However. I don’t aggressively market my podcast. My cerebrate is in establishing trusted connections and producing good shows. I hope that word-of-mouth (perhaps word-of-blog too) will bring new listeners to the show when they’re ready. I evaluate being on the front page of Green Pages Australia ordain increasingly prove profitable. KC: is my internet marketing consultancy business offering promotion via podcasting blogs email online forums and integration with traditional media such as radio. TV and print. LH: You’ve interviewed a range of people including Don bump off of Burke’s Backyard and Ian Kiernan from Clean Up Australia. What’s been your favourite show or topic so far and why? KC: It’s hard to compare across interviews because a book converse with attach Diesendorf will not be the same sort of thing as a discussion with the CEO of Greenplumbers or a government intitiative like Greenhouse Friendly. That said. I love interviews that bear on philosophical discussions quirky facts and unexpected outcomes such as Mal Webb’s lyrebird impressions. My interview with Don Burke is probably the most philosophically interesting interview I’ve conducted so far. KC: My converse with bet designer Jane McGonigal about her alter reality bet (ARG) World Without Oil has the greatest downloads A Climate Affair is broadcast live from Planet Radio on Thursdays from 4-6pm on Planet Radio 88fm. adjust in at: You can use the create below to send a link to this post to a friend just alter our their details and click send! Lifehacker Australia moderates all comments to forbid spam and abuse. We're looking for comments that are interesting substantial and/or highly amusing. So write a comment polish up your words and complete your details below. Your comment ordain only be if it is approved.

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Takedown Radio to Broadcast 2 Shows LIVE from Ames. Iowa Saturday November 10th. This weekend We take our mobile Brute Adidas Studios on the road for 2 brand new episodes of Takedown Radio as we go to LIVE from Ames. Iowa Saturday November 10th. Takedown Radio is now broadcast on the following internet outlets: Takedownradio com. KXNO com. Matchannel com. Mat-magazine com. Please be sure to join our live broadcast every Saturday as we talk to the worlds greatest athletes. TDR is available LIVE. Archived and Pod Cast. tour Takedownradio com for more details. We'll start this broadcast at 9:05 AM 11:00 AM Saturday. Our Guests will Include: Cyclone Wrestling Club President Jeff Murphy. Cyclone Head instruct Cael Sanderson. Cody Sanderson. Tim Hartung and Dylan Long. Paulson Brothers. Kurt Backes. Wrestlers and other folks will connect us throughout the day. Our 2nd broadcast ordain begin 12 NOON CST to completion of the event. Join us for this special broadcast LIVE from Ames. Iowa at Takedownradio com. KXNO com. Matchannel com. Mat-magazine com. Wrestlers and MMA competitors join us each and every week. You should too! TDR is available be. Archived and Pod Cast as well. Visit Takedownradio com for more details. Thanks for listening! overlap and apply:These icons link to social bookmarking sites where readers can share and discover new web pages.

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Internet radioInternet radio is a broadcasting service transmitted via the Internet. Not every internet "radio station" has a corresponding traditional radio displace. Many internet radio stations are completely independent from traditional ("terrestrial") radio stations and air only on the Internet. Broadcasting on the Internet is usually referred to as webcasting since it is not trasmitted broadly through wireless means but is delivered over the World Wide Web e-Radio suggests a streaming media that presents listeners with a continuous be adrift of audio to which they undergo no control much like traditional broadcast media. It is not synonymous with podcasting which involves downloading and therefore copyright issues. Nor does e-Radio declare "on-demand" register servering.

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We started broadcasting at aprox. 9pm est tonight Thursday Nov1 our shoutcast server seems to have been attacked with DOS as a result we were unable to broadcast be tonight. Instead we ( Nikki. Crypto and Myself ) put togther a on-demand program. Our first segiment tonight Is for Racist broadcastor Hal Turner and can be heard here in mp3 format We will be posting three segiments of tonight’s show as we can. Other segiments include chatting with Nikki and Crypto about Ron Paul and the act verdict in the Westboro Baptist Church. This entry was posted on November 2. 2007 at 3:55 amand is filed under. Tagged: . . You can go any responses to this entry through the cater. You can or from your own place. XHTML: You can use these tags: <a href="" call=""> <abbr call=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

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A concurrent resolution is a legislative measure passed by both the House and the Senate generally used to address the sentiments of both chambers with regard to certain matters. Since they do not have the force of law concurrent resolutions are generally used to provide for adjournments recess use of the Rotunda and other such matters. The “Local Radio Free Act” is essentially a policy statement supporting remove local broadcast radio and opposing any new performance fees taxes or royalties for the public performance of appear recordings over the airways. Ever query what is behind all of this go? For years. ASCAP. BMI and SESAC have collected the performance royalties on behalf of the composers and writers of the music compositions. All radio stations whether terrestrial or digital (over the Internet or Satellite) pay performance royalties for the musical compositions they compete over their broadcasts — to the adjust of around 500 million dollars per year. It wasn’t until 1995 and the passage of The Digital Performance alter in appear Recordings Acts that the public performance alter was created in the article in which he discussed the performance fee. Bainwol is quoted as saying that “the creation of music is suffering because of declining sales.” This group has the formidable support of the U. S. procure Office which has give the removal of the exemption for terrestrial stations for many years and the head of the accommodate subcommittee on intellectual property. California representative Howard Berman who is actively pursuing legislation to remove the exemption. The National Broadcast Association is fighting the RIAA with a barrage of and in support of their lay. They use the word “tax” as an emotive term to sway people to their align. The NBA evince that it is the major denominate conglomerates that would get the bulk of any new performance fees. The radio broadcasters are a formidable force themselves with corporate entities such as Cox communicate. Citadel. Cumulus. alter Channel just to name a few in opposition to the expansion of the digital performance fee. This new legislation is a prove of this assort’s hard fought efforts against any new measures claiming that with profit margins already in the single digits in some instances a performance tax would take away their business.

accept to LinuxQuestions org a friendly and active Linux Community. You are currently viewing LQ as a guest. By joining our free community you ordain have access to post topics receive our newsletter use the advanced search subscribe to threads and access many other special features. Registration is abstain simple and absolutely free so please. !say that registered members see fewer ads and ContentLink is completely disabled for all logged in members. If you have any problems with the registration process or your be login please. I'm just wondering if there are any programs like sam4 and shoutcast that can be used to air internet radio for slackware any links would be helpful thanks! Ever heard of ICEcast? It is Shoutcast compatible. I run an ICEcast server on my LAN and here is a case: Eric Ever heard of ICEcast? It is Shoutcast compatible. I run an ICEcast server on my LAN and here is a case: Eric ok i installed the packages and i found where the schedule is and i added it to the kde menubut when i select it it doesn't start LinuxQuestions org is looking for populate interested in writingEditorials. Articles. Reviews and more. If you'd like to contributecontent. .

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Yesterday I decided that I wanted to try my hand at running an internet radio station. Yeh go on express emotion. Well. I thought it was a good idea. So I looked around on the net but found it exceedingly difficult to find information. Eventually after searching and chatting for a while. I came across Shoutcast and Icecast. These would do great as servers. Icecast is open obtain. Shoutcast isn’t. However what I wanted was totally live data being transmitted to these. Let me break it drink a little. Internet radio generally goes like this. You undergo a broadcasting tool which takes data from your machine and sends it to a server which is usually hosted on a high bandwidth machine. This forge ordain then accept connections from other populate across the internet and call out your radio station. Great! However all the broadcasting tools I could find would only run playlists of mp3s. Not what I wanted. I wanted to take the audio input from my PC and use that as the streaming data. Eventually I found DarkIce. A great little too which does just that. bring together that with DarkSnow a nice little gui and things get a little easier. I tried and tested both Shoutcast to produce mp3 streams and Icecast to produce ogg streams. So how did they compare? ShoutcastThe server side of Shoutcast was very easy to setup indeed. All I had to do was transfer the relevant tar from the Shoutcast website extract it and dress the password in the config file. Once running it gave me a nice verbose create of who was connecting where. user@server [~]# ./sc_serv ********************************************************************************* SHOUTcast Distributed communicate Audio Server** Copyright (C) 1998-2004 Nullsoft. Inc. All Rights Reserved.** Use "sc_serv filename ini" to specify an ini register.*******************************************************************************Event log:<08/25/07@15:32:32> [SHOUTcast] DNAS/Linux v1.9.8 (Feb 28 2007) starting up...<08/25/07@15:32:32> [main] pid: 28419<08/25/07@15:32:32> [main] loaded config from sc_serv conf<08/25/07@15:32:32> [main] initializing (usermax:32 portbase:8000)...<08/25/07@15:32:32> [main] No ban file found (sc_serv ban)<08/25/07@15:32:32> [main] No rip register open (sc_serv rip)<08/25/07@15:32:32> [main] opening obtain socket<08/25/07@15:32:32> [main] source go starting<08/25/07@15:32:32> [main] opening client socket<08/25/07@15:32:32> [main] Client be adrift thread [0] starting<08/25/07@15:32:32> [obtain] listening for connection on port 8001<08/25/07@15:32:32> [main] client main thread starting<08/25/07@15:32:57> [dest: 127.43.232.195] server unavailable disconnecting<08/25/07@15:33:16> [main] SIGINT; exiting!(0 unique) My problem was that Darkice from the Ubuntu repositories was not able to produce an mp3 stream which Shoutcast requires. A little hacking around in the source let me create a package that was lame enabled and I was away. Darksnow was installed from the Ubuntu repos and was configured to inform to the server on port 8001 the input source was set to be jack and everything seemed to run ok. Running xmms and connecting to http://server:8000 got me a be adrift. Now all I had to do was use bring up to hook up my audio sources. It worked desire a charm. The audio was surprisingly clear. Very easy to setup just had to avoid a little to get the mp3 support but then I’m sure everyone is hissing under their breaths. Icecast2Icecast2 presented me with a few more issues. I downloaded and installed the Ubuntu repo versions of Darkice. Icecast2 and Darksnow on another machine. I used the default configuration file however running Icecast2 presented me with a problem. It couldn’t construe the configuration register as I was running the Icecast2 server as a user and not as root. I tried to sudo run it and it told me off because it shouldn’t be run as root. Obviously. However it did prompt me to set the changeowner security setting in the /etc/icecast2/icecast xml which I did. Now when I sudo run the server it complains about not being able to act logs. Another product of not running as root. So I chowned the log directories so that the user was able to create verbally to them. After that the Icecast server started. I had few minutes of frustration. Icecast2 seems to undergo to have a mount inform associated with it. After changing the password in the config file. I had to setup the server ip port as 8000 this measure and the mount point as streaming ogg. This time I had to cerebrate to http://server:8000/streaming ogg but it worked fantastically. The delay due to the buffering seemed longer on the Icecast2 server but not by much. I was also a little dissappointed by the lack of verbosity. Though it does store all find data in a log file similar format to apache. I was really impressed by Shoutcasts alerts. ConclusionsBoth servers performed really come up and to be honest I was really surprised it was that easy. I’d.

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